This Man Can't Die

Il sogno paralimpico di ...

A Good Day to Die Hard: ... A lengthy, 15-part making-of documentary, covering everything from the stunts and special effects to the color grading and camera work.

The Fighting Blade In the war-like times of Oliver Cromwell, in and around 'olde Oxford towne', Dutchman Karl Van Kerstenbrook, Dutch soldier-of-fortune and sword-for-hire, stands ready to defend his lady-love, the fair Thomsine Musgrove, and prove his nettle, and that his blade is made of the finest metal.

The Gospel according to ... Four stories of ordinary flexibility: Dora is a television intern whose ideas are stolen, Franco is an aspiring writer who works as a financial agent for a living, Mario is a lawyer waiting to become a partner in a law firm, and Marta investigates on behalf of Ixtat. Watching over them all is San Precario, a boxer who died by mistake, delegated to archiving the prayers of the precarious.

The Fast Worker Roxbury asks his friend Terry to assume his identity and go on vacation with his wife, Edith, and their daughter. When Terry falls in love with Edith's sister, a scandal erupts at the resort.

Chutzpah, This Is? A documentary about the world's first Jewish hip-hop supergroup, Chutzpah.

Amandus The film is based on a novel by Ivan Tavcar and was adapted for the screen by Andrej Hieng. It is set at the end of the 17th century in the area that is now Slovenia at a time of religious intolerance with Amandus, a Catholic priest, determined to persecute local Protestants.

Cara de Fogo A family moves to a farm and witnesses some cattle thefts, then being chased by the criminal responsible for the crimes.

NO45 Screams of Homeland Jaak Prints solo performance is an emotional summary of the voices that make up the modern Estonian person.

Light Music Light Music is a classic work of expanded cinema. Formed from two projections facing one another on opposite screens, Light Music is Rhodes’ response to what she perceived as the lack of attention paid to women composers in European music. She composed a ‘score’ comprised of drawings that form abstract patterns of black and white lines onscreen. The drawings are printed onto the optical edge of the filmstrip. As the bands of light and dark pass through the 16mm projector they are ‘read’ as audio, creating an intense soundtrack that proposes a direct relationship between the sonic and the visual. What you hear is equivalent to what you see.