La Cucaracha
กำลังโหลด...
1959-11-12
ภาพยนตร์
ผู้อำนวยการIsmael Rodríguez
นักแสดงชายMaría Félix, Emilio Fernández, Dolores del Río, Antonio Aguilar, Flor Silvestre
พิมพ์Drama, Romance, War
พื้นที่Mexico
ภาษาSpanish
วันที่วางจำหน่าย1959-11-12
คะแนน6.4
เนื้อหาเบื้องต้น
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
คำแนะนำที่เกี่ยวข้อง
El que no cae se encima
El Chilorcas is a character who, aboard his truck, distributes bicarbonate for the town's festivities. He is always surrounded by beautiful women, but José Toro's daughter will make him lose his mind.
La mujer perfecta
The history of different women in a country where beauty and fame are all that matter.
Bhootpori
The film chronicles the tale of a deceased woman and a little boy who meets the restless soul of the departed woman. The woman seeks help from the little boy to unravel the mystery behind her death.
Autumn Rain
A writer named Daniel is going through a crisis, aggravated by the unexpected success of his wife in her professional career as an actress.
Los Reyes pal' palacio
Instantnea...
Antonia is a little photographer. She likes to capture special moments with her camera and she will spend her vacations with her grandparents. Although she go to the beaches with her dog who isn't very happy about it, Mario her grandfather, is a very quiet man, and he will help her study math. This vacations seems to be destined to be a failure, but it all will change when Mario give her a peculiar present, an old Polaroid camera. New friends, adventures, paint wars, ghosts and much more.
Terranova
Based on the novel "La mar es mala mujer" (Raúl Guerra Garrido, 1987), "Newfoundland" tells the gauge of a man who faces his fate. Antxón Elizalde, an experienced skipper of a fishing boat, clashes a young captain, Jose Antonio Errandonea, who is also disputing the love of his partner in land, Ainara. The sea and women seem to be the same. Antxón will have to work hard to retrieve his job, his love and his status for the others and for himself. Icebergs going adrift, ice and gigantic sea waves form the landscape of this story loaded with epics and legend. Newfoundland means struggling against the sea and the elements, against accidents on board. Against love and death.
Last Taxi Dance
In post-WWII Hawai’i, the minimum wage is 40 cents a day, or 4 dance tickets. Mahea is a singer at a taxi dance hall in downtown Honolulu, reluctant to make money from dancing with GIs. The definition of peacetime is unclear when a white veteran asks Mahea for the last dance.
Tierra de Pasiones
In a beautiful valley where the most exquisite grapes are farmed, an intense and sizzling love story will flourish between Valeria San Roman, a beautiful woman with a strong character, which has given her the strength to face life's deceptions, and Francisco Contreras, renowned publisher, widower and a man of will. Valeria, who manages the San Roman vineyard, hasn't had an easy life. Her own father, Jose Maria 'Chema' San Roman, the family's patriarch, has always hated her because she is the only one who doesn't obey him. A man without scruples, selfish and womanizing, Chema arrived to the United States, married Valeria's mom to steal everything from her and later disposed of her. If that weren't enough, Chema schemes a hideous plan causing Valeria to experience a horrible betrayal. Meanwhile, Francisco arrives to visit his father at the ranch only to learn that he has married Marcia, a woman much younger than he who leads him to the brink of bankruptcy and drives him to suicide.
I Am A Spy: Istanbul
Fallon, a gay MI6 agent, attends a party in London to meet his lover — only for the man to suddenly collapse and die in his arms, poisoned. Branded a traitor and exposed as a mole within the agency, Fallon is forced to flee. He escapes to Istanbul, where he hides out, waiting for contact with his partner Alina, unsure of who to trust or what remains of his identity. Told entirely through male whispering ASMR, the film unfolds as a hypnotic, slow-burning spy meditation that replaces action with intimacy, memory, and sound. The first entry in Alexander Roman’s experimental trilogy, I Am A Spy: Istanbul reframes espionage through a queer lens, exploring loss, betrayal, and emotional isolation in a genre that rarely makes room for vulnerability — let alone queer male desire.