I'm Almost Not Crazy: John Cassavetes — The Man and His Work

Showgirls of Pakistan Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.

Setagaya-ku, 39-chome

The Charlie Daniels Band...

Los Sagrados concierto e...

First Sight A girl who loves herself so much she became an ignorant of her surroundings.

Just Dandy Invited to speak at an Indigenous Revolutionary Meeting, the narrator describes an intimate encounter with an Evil Colonizing Queen which led to Turtle Island's contraction of an invasive European flora.

Schubert - Fierabras (Sa... Konig Karl - Georg Zeppenfeld Emma - Julia Kleiter Roland - Markus Werba Eginhard - Benjamin Bernheim Boland - Peter Kalman Fierrabras - Michael Schade Florinda - Dorothea Röschmann Maragond - Marie-Claude Chappuis Vienna State Opera Chorus Vienna Philharmonic Orchestra Ingo Metzmacher, conductor

Custav Mahler - Symphony... Conducting the Wiener Philharmoniker, Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto “Nobody knows de trouble I see” performed with “technical perfection” (Kronenzeitung) by “the fantastic Håkan Hardenberger” (Salzburger Nachrichten) and Mahler’s Symphony No. 2 in C minor “Resurrection”. “Nelsons proved to be delicate but hearty when interpreting Mahler.” (Wiener Zeitung). The conductor led the Vienna Philharmonic Orchestra to “enticingly beautiful sounds” (Die Presse). “High praise goes to the vocal soloists Ekaterina Gubanova, Lucy Crowe and the Bavarian Broadcasting choir.” (Salzburger Nachrichten)

Not Moldova 1937 "In another virtuoso turn, the artist brings her exemplary camera eye to Moldova, home of her grandparents, before they were driven out along with their Jewish comrades, thousands of them killed. Fragments of survivor testimonials mix with archival photographs and objects, along with present-day city celebrations (what is being forgotten in these civic rites of memory?). Haunted natural scapes grow over the dead, the abandoned graveyards and stones mark the places where culture and community used to be performed. This is a synoptic act of grieving, but also: a summoning of the present, a conjuring of the thousand ways that the betrayals of neighbours and friends marked out the Jews who had lived peaceably amongst them for generations, newly caught now in a terror of state oppression and greed."- Mike Hoolboom

HBO Comedy Half-Hour: Je... For guaranteed laughs, check out this comedy special featuring an uproarious stand-up set by future 'Curb Your Enthusiasm' star Jeff Garlin.