La donna degli altri è sempre più bella

Wastafel Tells a story about two people being confused because of the supernatural moment that happens in their house.

Exit Year 2047: "Inifinitalk" is the AI developed by some guys, offering possible eternal life through digitization of peoples mind and when they want to sell it they get into major trouble.

lgen... In Erik Svetoft’s graduation animation project, animals are trapped in a zoo and are the subject of entertainment and humiliation. Outside, the strong colours announce the destruction of nature. A film about dance and liberation.

Abiding Taken from a train window, Petronin imprinted manually a single image strip, using a shutterless camera, exposing it to a continuous influx of light. The result is the dissolution of the space between frames, elements of landscape losing their solidity.

Jungle Book 3D Rikki-Tik...

Made by Iraqi Girls

Notes on the White Plast... In almost every summer terrace one can find, stacked up or around a table, those very light white plastic chairs. This is a film essay, directed by a collective of Mexican architects, around this famous monobloc chair

Best of ITV Wrestling A-... The Best of ITV Wrestling A-Z showcases all of the best wrestlers from the golden days,

First Gentleman Hiyori (Kei Tanaka) is an ornithologist (expert on birds). His wife is Rinko (Miki Nakatani). She is the leader the minority opposition party. One morning, Hiyori is about to travel to an isolated island to watch birds on a 10 day trip. Before he leaves, Rinko asks him if she becomes the prime minister would he be inconvenienced. Hiyori then goes on his bird watching trip. During this time, he is completely isolated from the outside world. When he returns home, his wife Rinko is now the prime minister of the country. She is also the first ever female prime minister of Japan. Suddenly, Hiyori is now the first gentleman of the country. He decides to support his wife, but he finds himself caught up in unexpected circumstances.

The Glorious Pain “The Glorious Pain” is a documentary film which features the journey of a small classical Vietnamese opera (Tuồng) troup and one of the very few left, as they travel and perform through the Western Vietnam countryside. The Royal characters, behind the closed curtains are commoners and peasants who struggle to make ends meet. The troup is on the verge of disbandment because the main artists were going through a hard time. What future awaits the troup and its artists? Would it disappear in the same way as many other traditional art forms?