Sartana Does Not Forgive

La Charnire... On April 27, 1968, workers from the Rhodiaceta factory in Besançon gathered at the village hall of Palente-les-Orchamps to attend the screening of the film À bientôt j'espoir by Mario Marret and Chris Marker. This sound documentary reproduces the critical debate that followed. In June 1969, Pol Cèbe, the head of the Cultural Center of Palente-les-Orchamps, brought to this documentary a conclusion in the form of a report. Echoing an intense debate after the screening of À bientôt j'espoir, La Charnière by the Groupe Medvedkine captures those moments when workers expressed dissatisfaction with the way they were portrayed.

Behind the Door Coming off of a devastating broken engagement, Daniel Mays looks to start a new life in a new upstate home. No sooner does he move into his "dream house," than strange occurrences begin happening - not the least of which is the unexpected appearance of his ex-fiancé. As Daniel continues to try and build a new life and a new love, the events in the house push him closer and closer to a horrific realization that will change his life forever.

Shock Therapy Jim is afraid of everything. In order to face his fears, Jim will bring everything he is afraid of into his house. It doesn't quite work out as expected..

Tennessee A story about love and the future of the world.

Tod in der Lochmatt Police investigator Bettina Käser is investigating the murder of Gottfried Rösli in Langenthal. His daughter Käthi Güdel found the old farmer dead at the Lochmatthof farm, shot with a pellet gun. Everything points to Käthi's husband Sämi having lost his temper: he had been in a nasty argument with his father-in-law. But Bettina Käser has her doubts about Sämi's guilt. Together with her Zurich-based assistant Roberto Egger, the investigator sets out to find the perpetrator. However, the revelation of the truth holds a surprise in store for Bettina Käser herself.

Rene Liu Renext I dare 2...

Cinevangelist: A Life in... In CINEVANGELIST: A LIFE IN REVIVAL FILM, film historian and artist George Figgs tells the story of his life's work in bringing revival cinema to Baltimore and beyond. From his role in Baltimore's underground film scene of the 1960s and his involvement with the Orson Welles Cinema in Cambridge during the early '70s, to helping manage Baltimore's celebrated Charles Theatre in the '80s, owning and operating the Orpheum Cinema during the '90s, and continuing with the "third wave" of revival cinema today, Figgs has made it his mission to bring alternative films to the audiences who want to see them, in the way they were meant to be seen.

Charlie Johnson in the F... A political thriller about an American journalist who travels to Africa to hunt down a murderous Colonel and bring him to justice.

Sweet Lamb of Heaven Anna, a young mother, escapes her cold and unfaithful husband, Ned, a businessman who's just launched his first campaign for political office. Ned chases Anna and their six-year-old daughter from Alaska to Maine, and the two go into hiding in a run-down motel on the coast.

La parfumerie de M. Pomp... In his fantastic factory, the wonderful Mr. Pompone creates the most extraordinary perfumes surrounded by an aura of tradition and prestige.