Danielle Steel's Zoya

The Magic Flute An animated fable for children showing that things can be malignant or benign depending on how they are used--with good or evil intent.

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The Dynamiters After falling in with labor radicals, a young man has second thoughts about carrying out a terrorist bombing.

Who Gets the Order Rival salesmen use every means of transportation to be the first to land that big order.

Little Old New York Seduced by the Police Gazette, a country boy comes to the big city and gets more than he bargained for.

Bad Blood: The Border Wa... In the years leading up to the Civil War, a bloody conflict between slaveholders and abolitionists focused the nation's eyes on the state of Missouri and the territory of Kansas. Told through the actual words of slave owners, free-staters, and border ruffians, "Bad Blood" presents the complex morality, and life-and-death decisions faced by those who lived on the border from 1854 through 1860.

i mae Gaby and Elena are two young Costa Rican university students with dreams, plans and a troubled relationship with their respective partners. Both are invited to attend a picnic to celebrate a friend's birthday. The conviviality will last until the night and will show the complex and confusing reality that the youth of the country lives, where individualism, apathy and conformity abound. That long day, only one of them will make the right decision. iMae was made thanks to the support of Bayer and its Social Responsibility program Your Life Your Decision.

So Many Ideas Impossible... Based on Barbara Hammer’s 1973–85 correspondence with Jane Brakhage, as well as outtakes from her 1974 film "Jane Brakhage".

Zero Sant films two age-old olive trees as if they are engaged in lively conversation. He uses the classic film grammar of reverse shots, mostly in close-up. It does require subtitling to clarify their arguments. Not that it matters much, as the trees actually have nothing to say to each other anymore.

Tapi! Tapi! is a short documentary that explores a formative moment in the life of Kenyan ritual healer Jackson, one of the last practitioners of the ritual healing practice called utapishi ('tapi'). The leaders of the local Christian church are not happy with the influence of the ritual and decide to go to court. Jackson pushes back against the threat of tapi's prohibition by local Christian church movements who seem to be determined to erase the complex history of a people.