หน้าแรก / ภาพยนตร์ / Beyond the Call

Beyond the Call

กำลังโหลด...
1996-06-23 ภาพยนตร์
Beyond the Call
ผู้อำนวยการTony Bill
นักแสดงชายSissy Spacek, David Strathairn, Arliss Howard, Janet Wright, Lindsay Murrell
พิมพ์Drama, TV Movie
พื้นที่United States of America, Canada
ภาษาEnglish
วันที่วางจำหน่าย1996-06-23
คะแนน6.5

เนื้อหาเบื้องต้น

Russell Gates (David Strahairn) is a Vietnam vet on death row for killing a policeman. His childhood sweetheart, Pam O'Brien (Sissy Spacek), is stunned to learn this and does not believe he could commit such a crime. She writes to him much to the dismay of her husband Keith and becomes obsessed with the case, exploring every avenue that may still be open to the doomed man. The trips to the prison take a toll on both her marriage and her family.

คำแนะนำที่เกี่ยวข้อง

Petit cur...
Petit cur... Time for a look in the subway, a girl is intrigued by another passenger.
Agathe et Lou
Agathe et Lou A few days in the lives of two women. Agathe and Lou have a complex relationship that is marred by Lou's persistent violence. When Lou goes too far one day, Agathe tries to break free from this cycle of love and dependence. But it's never easy when you have to admit to your own weaknesses and those of the person you love.
Gauguin: A Dangerous Lif...
Gauguin: A Dangerous Lif... Gauguin’s vivid artworks sell for millions. He was an inspired and committed multi-media artist who worked with the Impressionists and had a tempestuous relationship with Vincent van Gogh. But he was also a competitive and rapacious man who left his wife to bring up five children and used his colonial privilege to travel to Polynesia, where in his 40s he took ‘wives’ between 13 and 15 years old, creating images of them and their world that promoted a fantasy paradise of an unspoilt Eden in the Pacific. Later, he challenged the colonial authorities and the Catholic Church in defence of the indigenous people, dying in the Marquesas Islands in 1903, sick, impoverished and alone.
Retrospectroscope
Retrospectroscope "Kerry Laitala's love of the movie process gives rise to richly crafted and oddly unclassifiable imagery. Re-inventing an antique movie technology using a revolving glass disc, projected lighy and a sequence of early black and white images, and merging it with the later technology of 16mm film, RETROSPECTROSCOPE pulls the moving image backward into a sense of wonder that is both nostalgic and strangely new. –Scott Stark
Disaster
Disaster Disaster, a two-screen Super 8 film made in San Francisco, has been called the first situationist film made in the U.S. As an antidote to Hollywood’s 1970s disaster films like Earthquake, Millner and cowriter Ernie Larsen turned their attention to the disaster of everyday life.
Across the Street
Across the Street I witness shocking events which remain unresolved. This is an urban story, it is the story of an event which takes place across from my third floor bedroom window. As the story is retold again and again the emphasis shifts from the details of the event to the unanswered questions raised by the event.
La maison vide
La maison vide Vincent, seventeen, spends his summer holidays alone. To earn a little money, he helps his dad, a locksmith. One day, Vincent breaks into an empty house to steal.
Sorted Details
Sorted Details Shared shape, color or movement links each of these varied fragments of urban landscape with the next. Each sight has its own naturalistic ambient sound, as the film yanks you from spot to spot and moment to moment.
Bobo - A Man Apart
Bobo - A Man Apart 1973, the Vietnam War is coming to a close as the world buckles under new attitudes and changing priorities. Far from the din of history, in a small village in southern Iceland, a young man falls for a soldier at the nearby US army base.
Winterwheat
Winterwheat WINTERWHEAT was made by bleaching, scratching and painting directly on the emulsion of an educational film about the farming cycle. I wanted to manipulate the found footage to create lulling, hypnotic visuals while also suggesting an apocalyptic narrative. Though the images can be viewed purely for their graphic idiosyncrasy, a quiet but persistent theme of destruction winds its way through the film.