Long Days, Short Weeks....

Hangover Revenge of The ... Four modern women: Alice (America goddess), Lisa (Office Lady), Liyuan (beautiful housewife), Wenwen (hate married women Cock wire) to withstand the pressure of urban life, the feelings do not go well, everyone has their own depression, four due to heavy drinker and leads to some hilarious story of the encounter.

Talong Tiffany, a young and confused artist finds inspiration in Edong, a handsome eggplant farmer. In a Cinderella twist, Edong left behind an enormous eggplant which Tiffany used to track down her Prince Charming.

All This Mayhem A searing account of what happens when raw talent and extreme personalities collide. In this unflinching, never-before-seen account of drugs and the dark side of professional skateboarding, brothers Tas and Ben Pappas' intense bond and charisma take them from the pinnacle of their sport into a spiraling world of self-destruction.

365 Nights in Hollywood Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.

To the End of the World.... A documentation about Werner Herzog's motif to do movies.

Bertolt Brecht - Images ... Here meet personal memory, working knowledge, research interests and anecdotes together to vivid memory about the most important German dramatist of the 20th century. When the director Peter Voigt, former assistant director of Brecht at the Berliner Ensemble in 2004, finds a wallet with pictures and captions from the American exile, he pursued this track and discovered that Brecht has always worked with photography and film. Peter Voigt puts together an exciting collage of this film and photo material. A conversation with Erdmut Wizisla, the head of Bertolt Brecht Archives, moderated by Harald Müller, forms the dramatic bond of the film.

Whom the Gods Destroy Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to produce a show but the ship strikes a derelict wreckage and is sinking rapidly. In the ensuing wild panic, Forrester saves many lives, until finally, panic stricken by sudden fear, he dons a woman's clothes and is among the rescued. On the coast of Newfouldland, the villagers, not aware of his true identity, curse him but he is befriended by Alec who helps him conceal his identity. With a planned story of his survival, he returns to New York but cannot face his family or friends after he sees the plaque to his heroism on his New York theatre. Deciding to remain thought of as dead, he becomes a derelict himself, surviving on odd jobs as he watches from afar his now-grown son begin his career as a producer.

Dirty Work Staff in a jewellery store hatch a plan to catch a thief.

The Black Abbot A gang of crooks uses the legend of a ghost haunting an old dark mansion to help them kidnap a rich man.

Life May Be An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film.