Hotel, Hunter, Prey

Crazy Danila

The Horn Professor Thompson commits murder after the chaos that occurred due to marriage. Kevin, an 8 month old who's left alone at the end, returns home after 57 years, as an elderly sex offender. He finds the same Egyptian musical instrument- a dildo- which drove his wife through the same chaos. The audience of the film Horn , a science fiction will be turned on about the process which confirms the existence and the survival of our future mankind as a result of the effort of recovering his wife's virginity.

Limousine While driving around in limousines, groups of people from different generations struggle to find the best way to have fun they desire.

Welikathara An intense, cat-and-mouse drama between newly appointed ASP Randeniya and a local thug (Goring Mudalali). Randeniya's life gradually falls apart as he wages war against Goring Mudalali's crime syndicate, erupting in a shocking climax.

Sensei, Would You Sit Be... Sawako works as a manga writer. Her husband of five years, Toshio is also a manga writer. On a summer day, Sawako begins to write her new manga. The story for her new manga deals with adultery. The manga describes Toshio having an affair with her editor and Sawako having an affair with her driving instructor. Toshio reads Sawako's manga with fear and jealousy.

Kicking the Hornet's Nes... Kicking the Hornet's Nest is a startling investigative look at a popular gynecologic device used to perform hysterectomies that has been inadvertently spreading cancer in patients for decades. The film follows two married Harvard-affiliated whistle-blowers as they mount a harrowing campaign against the medical establishment to expose the controversial practice and prevent future needless deaths.

Obsession

Rewsen B, who has been stuck in a loop looses his perception of time. He believes that, if he travels to Rewşen, he would get out of this cycle. While looking for the minibus in the garage he starts questioning “what Rewşen is”.

Ceiba Portrait of a ceiba tree.

Maybe Never (But I'm Cou... Maybe Never restages both a multitude of narratives about the loss of innocence and the changing nature of sexual fantasy and activity in the age of AIDS. While the question of Asian American identity is never specifically addressed, Nguyen's casting of Asian Americans as the objects of desire, the creators of fantasy and the participants in erotic exchanges with one another produces a distinctive aesthetic which firmly incorporates Asian American bodies, perspectives and imaginations within a contemporary sexual landscape of risk, desire, regret and creativity.