Joan Rivers and Friends Salute Heidi Abromowitz

LEGO DC Comics Super Her... Reverse-Flash manipulates the Speed Force to put the Flash into a time loop that forces him to relive the same day over and over again—with progressively disastrous results, including losing his powers and being fired by the Justice League. The Flash must find a way to restore time to its original path and finally apprehend his worst enemy before all is lost for the Flash…and the world!

In the Shadow of a Kille... Courtroom drama involving the mafia inspired by true events.

Holy Tremor Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

Solar Walk This award-winning animated mind-bender is a by turns whimsical, mysterious, and psychotropic vision of deep-space discovery.

Russa Russa returns to Bairro do Aleixo, in Oporto, visiting her sister and friends with whom she celebrates her son's birthday. In this short encounter, Russa returns to her neighbourhood's collective memory, where three of the five towers still exist.

Die letzte Grenze While ageing border guard Alfred tries to save his now redundant border from demolition, Cupid's arrow strikes him. For over 30 years, border guard and passionate Verdi lover Alfred Birnbaum has been guarding a border in the idyllic no man's land between Germany and the Czech Republic. His only diversion is his daily encounter with the pretty Suzanne, who crosses the border every morning on her bicycle with a heavy sack of rice. When he hears the news that Europe is now opening its borders to the Czech Republic as part of the EU's eastward expansion, rendering him superfluous, he does everything he can to save "his" border.

Where the Summer Goes (C... It’s summer, a boy and his friends go to the river. On the ride there, a story is told about a man and his pet snake that tried to eat him. The boy falls from a tree trunk and gets hurt. A girl follows him. A couple kiss each other, another boy explores the woods and a third one just lays by a tree eating a peach. In four chapters, the heat and the humidity of the forest unravel desires among them.

Vacation in Val Trebbia Director Marco Bellocchio returns with his family to his homeland, in the province of Piacenza. The journey is an opportunity to confront oneself with one's past, as well as with the nostalgia of an era.

Andrea Berg - Zwischen H...

Imperial Valley (Cultiva... The Imperial Valley represents one of California's most important regions of industrial agriculture. The system's run-off flows through pipes, pumps and canals leading to the Salton Sea, an artificial lake that is approaching ecological as well as economic disaster. Initially appearing as nothing more than spectacular documents of agricultural monocultures, the shots become increasingly abstract. Is this an actual or artificially simulated landscape? This ambiguity is precisely the point: The Imperial Valley is becoming the "Uncanny Valley", a place that is not yet or no longer natural and thereby appears eerie. Although manmade, it is not a place for people anymore, neither ontologically nor in reality. The post-apocalypse is not a matter of the future, we are already in the thick of it. (Claudia Slanar)