Vilaiyaattu Pillai

Yes Sir, Mr. Bones A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and flashbacks show what it was like back in the days of the minstrel shows.

FotogrFRICA... Dona Amélia is an Angolan refugee from the war who started her life anew in Olinda, in the Northeast of Brazil. From her photograph mural, her Brazilian daughter goes in search of her roots, divided between the family memories and the manifestations of African origin that she encounters along the way.

The Battle of the Atlant... Germany in 1941. War in Europe for two years. The Nazis at the height of their power. Since the beginning of the war, there has been a frontline in the west where the traces of horrible fights disappear on the spot:The Battle of the Atlantic. England, traditionally the leading naval power worldwide was to be cut off from all supplies by a blockade while the balance of power is not in favor of the German Kriegsmarine. Their commander-in-chief complains that "the war was five years early." That a victory seems achievable at the beginning is the result of a weapon that was only known in Germany at the height of perfection and drill: submarines.

On the Edge Our village has always been a place of exile, a land of prisoners. Once in the winter, on the edge of the village we found an old man in an old car. He was freezing. He had nothing and was from nowhere. Now he lives in the cellar of our church. Step by step we get to know his story.

Top 50 Playoff Goals Great moments in NHL History with goals by stars like Mario Lemieux, Pat Lafontaine, Darryl Sittler, Bobby Orr, Bobby Nystrom, Lanny McDonald, and many others!

Take Rabbit One man's journey to the other side... and back again. And again. And again. Peter Peake's take on the classic riddle of the fox, the rabbit, and the cabbage.. and a man who got a lot more than he signed up for.

Jeny303 A site of activism and bloodshed, Building 303 was an icon of Bogotà. Now demolished, the university—and its political graffiti—haunts this spectral short, intruding on a portrait of a recovering addict. Laura Huertas Millán’s film is one of ruin and survival, inspired by its “living works of art.”

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