Hurricanes

Gruppenfilm

Operation

Kratz-, Bei-, Licht-, Lo...

You Make Me Look Like a ... There is a mysterious relationship between human and pets. They communicate in a non-verbal way. In the process of communication, they are full of feelings and guesses. This situation also exists in other intimate relationships.

Ach wie gut, da niemand ...

A Crime on the Bayou A Crime on the Bayou is the story of Gary Duncan, a Black teenager from Plaquemines Parish, a swampy strip of land south of New Orleans. In 1966, Duncan tries to break up an argument between white and Black teenagers outside a newly integrated school. He gently lays his hand on a white boy’s arm. The boy recoils like a snake. That night, police burst into Duncan’s trailer and arrest him for assault on a minor. A young Jewish attorney, Richard Sobol, leaves his prestigious D.C. firm to volunteer in New Orleans. With his help, Duncan bravely stands up to a racist legal system powered by a white supremacist boss to challenge his unfair arrest. Their fight goes all the way to the U.S. Supreme Court, and their lifelong friendship is forged.

Gurtrug N2... The film is a reflection upon life and it reflects itself in a surprising time-construction... a composition of two triangular pictures, one over the other and touching at their tips. An almost monotonous similarity, subjected to no more than subtle changes, allows the spectator a number of diverse visual perspectives. (Hans Peter Kochenrath)

The Gamers: Curse of the... A group of four bored gamers delve into the world of Creepypasta. They are surprised when they learn that the story of a cursed Nintendo cartridge is far from the fringe and decide to seek it out for themselves.

Desk Clerk Michelle is the night auditor of the Sleepytime Inn, where she handles irate guests with insane complaints, incompetent coworkers, stingy bosses, and physically exhausting adventures.

After the Riots, Before ... 2019 in Hong Kong, protests become our daily life. The stuffs in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffitis on walls, unscrewed railings, bricks, respirators, safety goggles. Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. Mr. LIU Yi Chang let the objects tell the story in his nouveau roman short story, Riot, in 1968. Likewise, I let the objects play the narrators and tell us about the protests. Moreover, there are conversations and dialectic between different narrators…