After Separation

ws.3 ws.3 is a minimalist investigation of the texture of landscape. A windy, abstract soundtrack accompanies close-ups of a lunar-like, brilliant blue and white terrain. As the camera arcs rapidly and images move in and out of focus, sky and desert seem to merge. Cho erodes distinctions between documentary and abstract representation, producing a complex experience of place.

Seconds to Play A documentary detailing the live ABC broadcasting of a 1975 college football game from the Los Angeles Memorial Colosseum, between the Ohio State Buckeyes and the UCLA Bruins, taking us behind the scenes into the fast-paced demands and technical impediments of turning a simple sport into a mass-broadcast entertainment.

Gammat Jammat Bumbling kidnappers find themselves held hostage by their kidnappee and her family.

orange factory orange factory travels the back-roads of the Korean countryside at twilight. A haunted voice, reading from Ryu Murakami's Almost Transparent Blue, recalls experiences of pain and abandonment, while an unsettling music track underscores the themes of alienation and loss. Here Cho uses light to reflect on personal history and identity. With its somber tones of orange and blue, and voiceover that explores extreme physical states, orange factory traverses the terror and beauty of memory.

MTV Unplugged Kana Nishi...

Kanayan Tour 2012 ～Aren...

Kanayan Tour 2011 ～Summ... Concert film features her performance at Nippon Budokan on September 9th, 2011 from her one-man tour Kanayan Tour 2011 ~Summer~

Araniella A body from a research facility has been stolen by two lab employees. They wait at a seedy motel for a cash exchange. As they wait, the body they assumed to be dead...is not quite.

Perfect Strangers A group of friends at a dinner party decide to play a risky game where they place their phones face-up on the table and agree to make all texts and phone calls public in an attempt to prove they have nothing to hide.

Scare Me During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in the dark of a Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear: Fanny is the better storyteller.