Sagar Balaka

Lumpacivagabundus

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Nobodies! Heroes! A refreshingly earnest and comedic documentary that tells the story of a family who have dedicated the last 20 years of their lives to sharing their vision of wild creativity through interactive film projects. Disheartened that the transformative power of the camera has been eclipsed by screen scrolling, they embark on a final journey to meet their heroes and bring their own creative visions to life.

CHICKENPOX CHICKENPOX is a poetry/film/zine project which seeks to undermine the binary of love and violence; to show that they are much more intertwined than we care to admit.

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Children Of The Vine A global nightmare is unfolding as farmers and scientists stand at a crossroads questioning the impacts of pesticides and herbicides on human health. At the center of this controversy is glyphosate, the primary active ingredient in Monsanto’s Roundup, the most widely used herbicide in the world. Glyphosate was recently identified as a possible cancer causing agent and is now found in breast milk, baby food, wine and 80% of food grown in the United States. Why is glyphosate filtering into so many facets of our daily lives? And why are countries banning glyphosate while the United States uses more of it than any other country in the world? Children Of The Vine will peel back the curtain on the flawed regulatory practices that are causing more harm than good to public health while also revealing the scary science behind toxic farming practices. In the end, this solution driven documentary will highlight more sustainable large scale farming practices capable of feeding the world.

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London Symphony Orchestr... Sir Simon Rattle is joined by virtuosic soprano Barbara Hannigan for a modernist programme that showcases the immense capabilities of the London Symphony Orchestra. At the heart of this concert is The Rite of Spring. Once decried, it is now a cornerstone of orchestral repertoire and considered by many to be the greatest work of the 20th century. Its elemental nature is best summed up by Stravinsky, who, in an unaccustomed moment of humilty, said that he didn’t feel he was the composer of the piece, but simply the vessel through which it passsed. Sir Simon Rattle says: ‘I’ve been conduting it since I was 19...it’s one of those pieces that reminds you what the shock of the new is about and it’s still one of the great challenges and one of the great thrills to perform.’