Caballos de acero

Mitzi Gaynor: Razzle Daz... The ultimate collection of song and dance performances from Gaynor's classic network television specials - unseen for three decades - MITZI GAYNOR: RAZZLE DAZZLE! THE SPECIAL YEARS is a new documentary that celebrates a landmark career through new interviews with Mitzi and many others that worked with her. A reflective and entertaining glimpse into the television variety show at its zenith, taking viewers on a nostalgic trip through Gaynor's TV years.

The Girl Who Wouldn't Wo... Mary Hale hates her job in a department store, and when wealthy Gordon Kent comes around, she flirts with him and is fired. Because she is mad at her fiancé, William Norworth, Mary takes off in Kent's car and she doesn't come home until the early hours. Her father is furious and slaps her, so she leaves home. Kent offers to let her stay in his apartment, while he sleeps at the club.

The Man Who Sells the Mo...

Branko: Return to Auschw... In this meditation on memory, Branko Lustig, Oscar Winning producer of Schindler's List and Auschwitz survivor, returns to Auschwitz for his Bar Mitzvah at the age of 79.

Lost Every Day

The Prince and the Prete...

MPB: A Histria Que o Bra...

Dreams Come True The construction of the Kremenchuk hydroelectric power plant is in full swing, but the Dnieper may flood the construction site. In order to save people, the chief engineer Ilchenko decides to blow up the newly built dam... The workers do their best not to let this prevent them from delivering the HPP on schedule.

Petula In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.

Tarabatara "Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.