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Vasanthakala Paravai

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1991-09-19 ภาพยนตร์
Vasanthakala Paravai
ผู้อำนวยการPavithran
นักแสดงชายRamesh Aravind, Sudharani, R. Sarathkumar, Goundamani, Rajan P Dev
พิมพ์Action, Romance
พื้นที่India
ภาษาTamil
วันที่วางจำหน่าย1991-09-19
คะแนน0.0

เนื้อหาเบื้องต้น

Vasanthakala Paravai is a 1991 Tamil language drama film directed by Pavithran. The film features Ramesh Aravind, Shali and Sarath Kumar in lead roles. The film, produced by K. T. Kunjumon, had musical score by Deva and was released on 19 September 1991

คำแนะนำที่เกี่ยวข้อง

The Fur of this Animal
The Fur of this Animal "Wanted to drop you a quick note to congratulate you on THE FUR OF THIS ANIMAL. Saw it recently ... and was very impressed and interested - made me want to see it a few more times. ... But your film, even though I see it operating through composition (pictorial plus time-based) did get me on the edge of my seat - the image quality throughout was really rather extraordinary. In addition, the film just seemed somehow more serious, which is I guess a matter of a kind of depth and subtlety. So anyhow, you kind of won me over to where my prejudices just melted away." - Fred Worden
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Vigil
Departure
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Hello! Project 2019 Wint... Hello! Project concert held at Nakano Sun Plaza Hall.
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Nimbus "Nimbus was Robert Creeley's first choice to show in conjunction with a lecture at Rocky Mountain Film Center in 1978. This film owes much to Creeley's poetry and Edward Hopper's paintings, although no conscious consideration structured the working process - Hopper in the sense that Brian O'Doherty writes of the paintings as displaying 'an observed, an observer and a witness.'" –G.D.
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The Moieties
The Moieties "... where beads of light searching out 'the beloved' do pulse with the beat of the filmmaker's heart in perfect contrapuntal rhythm with all else in the frame of that sequence." – Stan Brakhage, World Film Festival of Canada
Hello! Project 2018 Wint...
Hello! Project 2018 Wint... Hello! Project concert held at Nakano Sunplaza Hall.
Domicile
Domicile "In this film there is a simple accessible constant which you will have no difficulty in recognizing. There is an equally apparent variable. So your question - to phrase it poorly - might be, what is it that is being measured here? The materials of this film are personal, comfortably so. Nothing in that way distorted or untoward. But the choices of the artist are both crucial and defining, and there is evident attention to what he has called boundaries. This ... is a beautiful film, factually, with a lovely shifting counterpoint in the pacing. Like an old slow blues, after some up-tempo number – so, read it and think." – Robert Creeley