It Is Never Too Late

Patterns of Interference A combination of 2 reels of super-8 animation, with driving electronic music, creating superimposed pulsing abstract patterns of stroboscopic intensity.

Caged and Wild Samantha is living a life of fear and abuse under her wicked husband Doug. But her life is flipped upside down when she’s taken hostage by a small group of outlaws. On the run and desperately seeking refuge, the daring group of bandits hit the road with Samantha as their cargo. But what none of them expected, is how fate would choose them to band together for an incredible adventure.

ARIES A single window frame; a portal. As the circular nature of time begins to reveal itself, a new decade begins.

Dark “Using footage shot during the first Aboriginal Land Rights demonstrations in Sydney, and when the police tore down the ‘Aboriginal Embassy’ in front of Parliament House in Canberra, Dark juxtaposes this violent struggle with images (taken from a tourist slide) of an old Aboriginal warrior imprisoned, in his mind, in his own country. As an immigrant to Australia I’d understood what it feels like to be a stranger, and had experienced hurtful comments and prejudice (…‘bloody German’). So I thought, this is funny, these people have been here for donkey’s years, and they to go out in the streets to fight for their own land. I used various mechanisms to let this injustice, this anger out…in particular, zooming through a comb onto the image of the old warrior…letting his emotion stream out through the bars.” (Paul Winkler)

75 Years The atomic bombings of Hiroshima and Nagasaki 75 years ago initiated The Cold War. 75 Years is a cinematic meditation on The Cold War and photography.

L'Ennui (les rves d'un s... Three different dreams of the city, three perspectives, in black and white with a soundtrack from student of John Cage, Bill Fontana... all in camera editing with a Bolex when experimental films meant something on film, raw, from the street, immediate and experiential... influenced by modern dance and the work of Ed Emshweller.

Sperm Fairies in a Box Black figures on a white background.

Ni en la ms oscura de mi... Lidia must face the allegations and consequences unleashed by the accusations of sexual abuse committed by her father long ago when he held an important position in the politics of the country.

Banjo Feedback Early processed video with video feedback loop triggered by renowned banjo player, Billy Faire. Recorded in b&w video, colorized with Siegal Colorizer. Features two original banjo tunes.

The Last Name of John Ca... How much can one imagine, feel, and how many times can one gain trust and lose trust, within only 4 minutes and 33 seconds? Using as a starting point her desire to represent a certain kind of silence, the director plays with the spectator's need for reliability. The film is never what one believes it is - until the last revelation. "The Last Name of John Cage" acts as still dialogue between a loud inner tension and the silent one all around.