L'una e l'altra

Silver Star When Billie learns that her estranged parents' lives are at risk, she tries to help them by robbing a bank. In her botched robbery attempt, she takes a hostage named Franny, who turns out to be a charmingly impulsive pregnant teenager with nothing left to lose. Together, Billie and Franny embark on a chase through scenic American landscapes, clashing and struggling for common ground in hopes for a brighter future.

Cultural Cultural, metaphorical dialogues that seek to reflect roots in the interior of Brazil and the current moment of Brazilian cinema in these places.

The Sculpture of Ron Boi... Poetic documentary about this famous contemporary metal sculptor, showing him at work on one of the last pieces completed before his untimely death, some say from the three "D's," Drink, Drugs and Dissipation, but more accurately from the three "S's," Struggle, Starvation and Systemic disintegration. The viewer witnesses the step-by-step process of creation as the artist collects, cuts, shapes and welds cast-off materials into a sensitive human figure. The film concludes with a cine-poem in which Boise's works are elements in an overall abstract experience.

Then Came Thunder In a society where the rich hunt the poor for sport, one prisoner brings thunder.

Nuke 'Em, Duke The Conqueror (1956) starred John Wayne as Genghis Khan. Shooting took place downwind from a nuclear testing site and close to half the cast & crew developed cancer, including "The Duke" himself. This video looks at “conquest” in past and present media, fiction and non-fiction, and the “compression” of these experiences into mediated forms.

Arte de Curar

An Awesome Christmas Dennis Awe Christmas Special

Souvenirs souvenirs Homemade footage of parties, travel, and everyday life.

Chiyohime Senki II An action fantasy movie starring two idols, Meibi Yamanouchi and Riho Iida.

Positano Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".