Ang Kabiyak

Zro Gravit... ZERO GRAVITY is a borrowing from the English language which simply means weightlessness, absence of gravity. Around an accident which perhaps will happen, a breathless suspense takes shape throughout the film. The original soundtrack reinforces this atmosphere by making the dramatic impact even more paranoid. "I wanted to make a film about the end of the story."

The Night of Perpetual D... Making good use of photography, recording, art installation, and painting, Chinese photographic artist Yang Yongliang delivers a full range of artist works, achieving harmony in seemingly contradictory elements. Equipped with excellent photographic skills, Yang strikes a balance between various elements, introducing innovation in the Chinese legacy to break with tradition.

La Queue Tigre D'un Chat... Difficult to say what this film is about. I know it is the product of much anger. Anger against TV, the media, cinema, politics, social, economy, history, finally a lot. Above all I wanted to stop making illusions.

Rythmes de passage Filmed in a public place in a still shot, rhythms are created by pedestrians and cars moving, stopping or disappearing. The light, very white, induces a sensation of their passage.

La West Highland Way / H... Scotland has a reputation for not only being a very beautiful country, but also for being a poor country, the poorest in the UK along with Ulster.

waste(d)ground + fleurs The vacant lot understood as the irruption in an ordered system of a dissonance (...) The d added to the wasteground - correct term - constitutes a kind of neologism which could be translated by “a devastated, damaged ground, even before d 'have served'! This is where the idea of ​​destruction is translated... by war, disease, etc.

Staccato I, II, III Love, sex and death in Paris. And why not? A series of three films, each built frame by frame but, depending on the subject, each using an individual structure. The whole series was done in the camera - nothing was cut, changed, arranged...

Start The film is not only a nod to Lettrist and Structuralite films in terms of its form and content; It was while thinking of the Flux Films series initiated by George Maciunas that the original idea for this film came to me. It had to be short, concise and in black and white. I had for some time had a fascination with the figures, the accounts and the texts used for the production of the credits made on ban-titles and which, after several generations take a slight overexposure. The film was set up with the references it actually generated.

Mondrian Voor Rebecca I don't know what to say because the film was practically made itself. Definitely a gesture of admiration in the Netherlands and Dutch things. Certainly it is the 30 kilometer dyke which stretches in Friesland, to the north, "De Afsluitdijk". And certainly, I am sure, it is about grids and primary colors, and about Rebecca (the Beautiful one) that I know only slightly, and of this feeling of being (squarely) at the bottom of a landscape sculpted, refined and wild - a landscape (mooi ... mooi ... mooi ...) that made me silent, even peaceful ...

The Mystery of Carl E. L... They are: 1) a man in a house (see N ° 3) 2) a radio 3) a man who is fascinated by short waves (see N ° 8) 4) love songs, songs war 5) languages, songs, tribes 6) antennas, transmissions, frequency 7) remote voice 8) death (see No. 11) 9) the kilohertz, megahertz, numbers (see N ° 6) 10) the mask of God, the mask of the Devil and the veil between the two (see N ° 4)