In the Name of the Father

Shadow of our forgotten ... Video essay that explores the relations between montage and music in Sergei Parajanov’s film Shadows of our forgotten ancestors (1965). Parajanov seems to perceive montage as an organic form, in this case, linked to death and grieving. The audiovisual perception is layered in a sensorial sequence that is associated through rhythms (visual and sound). The montage is shown as a dialectical thought. Every shot, sequence and montage is expressed as ancestors.

The Criminal Inside of M... Cruising and bluesing with a sequence of four slides found on the street, (believed to be the Andrews Sisters) resampled and animated.

citygas Bondage in Belfast.

Frankie was a good girl A saint in the city.

Instrucciones para dejar...

June & Kopi A street dog is taken in by a young couple, and the family pit becomes an instant accomplice as he adjusts to his new, loving home.

Improbably Gibson An entertaining and fresh retrospective of Gibson's historic walk-off home run in Game 1 of the 1988 World Series.

Canada Park Google Maps, Wikipedia, and early 20th-century colonial landscape photography provide the material for this absorbing techno-meditation on the status of Palestine and the notion of the “Holy Land.”

Life is a Dance With your heartbeat the rhythm of your life begins. It's an endless playing song. But they tell you not to listen. They tell you to ignore. But now you know their promises were a lie. You rise up to move and dance to the sky.

Laura Laura is a young dancer from the Paris Opera Ballet who worries about the future and her vocation as a classical dancer.