Karajan - Bruckner - Symphonies Nos. 8 & 9

Frhlings-Erwachen...

PHX [X is for Xylonite] Frances Scott explores the history and usage of plastic in this imaginative essay film. Using three-dimensional animations, distorted vocal recordings, and the words of Roland Barthes, she connects the founding of the first plastics factory in 1866 and the development of cellulose nitrate, a key element in the creation of film stock.

Signal 8 Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.

Houses (for Margaret) Luke Fowler constructed this tribute to Scottish filmmaker and poet Margaret Tait on the occasion of her centenary. Setting off to Tait’s native Orkney, Fowler creates a record of her life and work through images of her past dwellings, filming locations and notebooks. The soundtrack consists of location recordings made in Orkney and an archival tape recording of Tait reciting her poem “Houses,” in which she reflects on the meaning of home.

Tyrant Star The star-crossed melancholy of two separated lovers is memorialized in a cathartic rendition of a beloved pop tune, intertwining the sensual and the toxic within an urban periphery of Vietnam. Tyrant Star is a musical tale of postwar emancipation and trauma.

Entire Days Together A young girl is cured of her epilepsy just as summer vacation is about to begin. During her last days with her classmates, she’ll come to experience life in a new way. Arranged as a series of elliptical tableaux, this haunting narrative from Luise Donschen (Casanova Gene) captures a simultaneous sense of discovery and disorientation as it proceeds from the confines of the classroom to a wider world of adolescent anxieties.

Alles verkehrt

Altergo : trois histoire...

Trouble Mariah Garnett’s intimate and inventive biographical portrait of her artist father recounts in his own words his past as a political activist in Belfast and his daughter’s unlikely influence on his life. Through a combination of letters, interviews, archival footage, and uncanny reenactments of the period (featuring Garnett herself in the role of her father), this slyly self-reflexive yet deeply felt film provides crucial insights into his largely forgotten accomplishments and Ireland’s history of sociopolitical unrest, while also documenting the father and daughter’s belated reunion.

La vie heureuse de maman...