A Late Summer's Night

LA CASA LLENA After their mother’s death, Fernanda (19) and Francisca (25), return to Antofagasta to sell the house where they grew up. There, Fernanda confronts her mourning’s misadjustment, her mother’s absence and a city she once knew.

Good Morning! Melrose is a simple girl, and all she wants most is for her morning to be brightened with a "Good Morning" text. With the help of her best friend, Lyn, Melrose ventures online to find someone to send those two beautiful words.

Coffee... Maybe? Kimberly and Tiffany always have morning coffee together in the park. Talking about love, life, and the meaning of happiness. KJ, a physically fit, masculine identified woman happens to be in the park the same day, causing a minor glitch in the usual stuffy routine the pair seems to share.

Butch Pal for the Straig... Because lesbians can do makeovers, too! In a world where societal pressures often force women to act, dress, and conform to unrealistic feminine stereotypes, five queer women, each with their own specialty, help straight women re-discover their true identity and offer tips on how they can overcome outdated gender roles. With areas of expertise including Fashion, Grooming, Cooking, Design, and Culture, straight women will learn everything from simplifying their morning routine to life skills traditionally attributed to men.

MTI Mti (29), a Haitian immigrant, after years of saving money during his stay in Chile decides to return with his wife and daughter in Haiti. However, his plans will be truncated by the unexpected theft of his money.

Say Old Man Can You Play... Bess Lomax Hawes’s final film is a portrait of Earl Collins, one of the premier Southern fiddlers of his generation. Shot in a modest living room in Downey, California, the work features Collins performing several numbers along with his son, relating the history of his career, and showing off his family’s heirloom hand-carved fiddle.

Home An experimental silent film about love and two people who never fall out of love.

Unconditional Hope and Amy have been through it all just like any other couple. But, can Amy lean on her unconditional love as Hope battles with the hardest decision of her life?

Pizza Pizza Daddy-O “The footage included in this film was taken in December of 1967 on the playground of a school in a Los Angeles black ghetto. The players are a dozen fourth grade girls (9 to 10 years old) whose well-developed repertoire had been earlier brought to my attention by a sympathetic teacher… The actual film was taken in a playground area which had been reserved for us for the morning so as to minimize the number of spectators. We used two 16mm cameras, one in fixed position and one hand-held; sound was recorded via an overhead boom mic. The children had had the location of the mic pointed out to them and for the entire morning they centered themselves without direction under the mic with almost professional aplomb. All action in the film was undirected, for it turned out that the children needed no direction. They had come to play, and play is what they did, whether the cameras were loaded or not.” - BLH

Reunion Dinner Ah Ma, a lonely elderly woman suffering from dementia longs for her family to be united again. But when her children stop visiting her, she wonders if her family has forgotten her.