Fortune

DEC 4TH It is a cold winter night and everything was perfectly normal until DEC. 4th. In her very home, Blair's (played by Jesse Gonzalez) life is intruded by some horrible people and here inner demons come out. [This was an entry for the Film Riot 1 Minute Short Film Challenge]

The Mighty Columbia Rive... Hydroelectric power, shipping, irrigation and salmon fishing.

Let's Be Good Citizens a... Shows the importance of being neat and careful and of helping in such ways as picking up another's coat and making a new child feel he belongs to the group.

Growing Up In a small yard in Beijing Hutong, the Zhao family gave birth to a son named Zhao Xiaotao in the cry of babies. In order to cultivate his son's prosperity, Xiao Tao's parents made all kinds of efforts to create a better learning environment for him. Unexpectedly, Xiao Tao did not follow the blueprint that his parents had already drawn. As Xiao Tao grew up, he gradually understood a lot of truths, and his parents also reflected on their education methods. With the joint efforts of a family, Xiao Tao changed from a poor student to an excellent student. Parents love their children. Children understand that parents constitute a picture of human affection.

9/23/69: Experiment with... This early masterwork of electronic experimentation was created by Paik while he was Artist-in-Residence at WGBH in Boston. The title refers to the day it was made — September 23, 1969. Paik creates a stunning visual collage that fuses spontaneous, free-form experimentation with virtuosity and control. Paik manipulates and merges pure electronic abstractions, footage captured "live" from television, prerecorded material, and images recorded in the studio, including the faces of WGBH producers Fred Barzyk and Olivia Tappan. Exploring the interactivity of video and audio synthesizers, Paik processes these images with live and prerecorded sounds.

Amidst Boundaries During the 2018 elections, conflicts between Brazilians intensify over the major ideological differences in social, economic and identity spheres. As much as the documentary is a political cut in Ceará, one could well imagine it anywhere in the country, which certainly reflects widespread chaos, dark times. Within this process, when immersed in the streets, it was observed that, in fact, politics was a mask to incite other discussions. And so it turned out that the clash was not in the debate of more basic and collectivist agendas, but in the boundaries of the ego.

Paris Party The Chinese youth living in Paris, Ajiao (played by Chen Jieyuan), was awakened by a phone call in the morning, and the other party had to eat boiled beef and ravioli ... The house became a Chinese party. At the moment, he is a chef. He wants to go out and buy beef and vegetables.

Night in China China today resembles night - filled with imagination. For a long period of time China was a country that did not like to discuss darkness or night. For decades the "Red Sun" was the most direct form of allowed imagination. Under today's sun office buildings and construction sights dominate one's vision. But in the evening everything changes, and you can see the spiritual life of the people. Evenings everywhere provide us with an opportunity to see ourselves, as through a mirror's reflection. In the evenings humanity is always more sensitive and vulnerable. In its darkness we are cloaked in intimacy and obscurity. All through the day, people work hard to put on and maintain appearances, and daytime resembles a stage on which people perform. Yet during the evening we are able to wander backstage.

True Colors True Colors is the story of Danny is a massive 80's fanboy with everything going perfectly in his life. But when he is faced with a sudden tragedy, he is forced to choose what kind of person he is. This thriller/drama is directed by Cabell Vildibill and stars Jared Sims.

Minus 58 grader