Race of the Century

Menudju Bintang Add the Plot.

The Nightwatch The Nightwatch documents an action realised by Alÿs in 2004 in which he released a fox into London’s National Portrait Gallery in the middle of the night and used the museum’s CCTV system to follow its movements. The institution was chosen because unlike other institutions it does not conceal its CCTV cameras.

Shyam Singha Roy A young filmmaker is in a soup right when he’s about to find his footing in the film industry. When he sets out to find an answer, turns out it’s in the past.

Bad Dates A one-woman comedy about a single mom in search of cute shoes, the perfect dress, and a romantic table for two at a great restaurant, Bad Dates is a charming, funny and hopeful tale of dates gone wrong and looking for Mr. Right.

Sleigh Ride Chill In the 2016 single channel video Sleigh Ride Chill, Kim Heecheon combines three different aesthetics and themes a live-streaming session of a video game play, an online suicide club and a cautionary tale of a leaked sex tape, which come to represent the subject in a digital world in South Korea: decentered, disembodied, and disarticulated through video gaming, face swapping, virtual reality. Sleigh Ride Chill features both filmed and found footage with CGI to comment upon the soulless state of mankind in contemporary Seoul where losing a smartphone means losing everything.

Every Smooth Thing Throu... In this age, our future hides itself behind the outline of the present and is no longer visible, in the same way that Pikachu hides behind the flowerpot in the recent demo of Pokémon Go. Do we live in the past, the present or the future? Are we the back-up data of ourselves or data that is yet to be rendered? Every Smooth Thing Through Mesher, originally commissioned for the Gwangju Biennale 2018, is willing to raise these questions on a summer night waiting for a typhoon.

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Lifting Barbells Kim Heecheon’s Lifting Barbells is a response to his father’s fatal bicycle accident on a street in Seoul, South Korea. Kim traces data collected on his father’s smart watch to reconstruct his last moments. Then, through letters to his girlfriend and images of Seoul, the artist narrates the complexity he faces—navigating the difficulty of his loss, being disaffected by society’s failures, and weighing the impact of technology on his daily life. Lifting Barbells is Kim’s first video in a trilogy that questions new technology and arbitrary distinctions between the “real” and “virtual” worlds we inhabit.

What's Ours and What We ... In What’s Ours and What We Are, images, motifs and words that originally served a particular political agenda are playfully manipulated to distort and re-contextualize their original status, satirically articulating the purpose of propaganda which is to ‘speak to’ and ultimately to persuade a spectator.

And Then, the Silence The Brittany coast. The storm season has begun. Twenty-year-old Matthias is hard at work on the small family farm, waiting for his father to acknowledge his efforts. As the annual procession of the Virgin is about to be celebrated in the village, Hugo, his brother, returns for the weekend.