หน้าแรก / ภาพยนตร์ / Road In the Mist

Road In the Mist

กำลังโหลด...
1963-04-06 ภาพยนตร์
Road In the Mist
ผู้อำนวยการKokichi Uchide
นักแสดงชายHibari Misora, Hiroshi Mizuhara, Michiko Nishizaki, Kunio Kaga, Kantarō Suga
พิมพ์ไม่มีให้บริการ
พื้นที่Japan
ภาษาJapanese
วันที่วางจำหน่าย1963-04-06
คะแนน5.0

เนื้อหาเบื้องต้น

Okinu, the beautiful daughter of a feudal lord, discovers her true identity and leaves her lavish life behind to avenge her birth father's death.

คำแนะนำที่เกี่ยวข้อง

Behind the Headlines
Behind the Headlines Two years after the Panama Papers scandal, two investigative journalists at Germany’s largest newspaper, Süddeutsche Zeitung, are ready with a series of new revelations while researchin the assassination of Maltese journalist Daphne Caruana Galicia and a mysterious arms dealer linked to the Iranian nuclear missile programme. When a secret video gets leaked to them in 2019, the journalists have the opportunity to uncover a new scandal, today known as ‘Ibiza-Gate’, involving the Austrian Vice-Chancellor Heinz-Christian Strache.
The Arrogant Worms: Thre...
The Arrogant Worms: Thre... The Canadian musical comedy group The Arrogant Worms performs live with the Edmonton Symphony Orchestra.
Bakken
Bakken In three long, uninterrupted one-takes shot over a single summer’s day and night, the camera moves slowly through the park while the guests alternately react to the lens or try to ignore it. A gang of Pierrot clones mingle with the visitors. The film is an joint creation between students of the Royal Danish Academy of Fine Arts and the Danish Film School, initiated independently by the students. Using Bakken as a frame - historically, architecturally and socially - all the contributors helped develop the concept for both the film and the performative interventions in front of the camera, which are sometimes inseparable from the hedonistic and condensed semi-fictional universe that an amusement park is.
All of your Stars are bu...
All of your Stars are bu... Tracking the public administration of light and darkness as an essential policing tool, the video moves between cities like New York and London, with the artist’s native Beirut setting the central pulse. Creating an associative genealogy that moves from whale oil lamps to gas lanterns to LED bulbs, from blackouts to curfews, the video is comprised of found footage and material from the artist’s own phone.
The Final Girl
The Final Girl Will Olivia survive the night, well she certainly will with some help from some friends...
A Dancer Dies Twice
A Dancer Dies Twice Kizzy Matiakis is 38 years old and at the peak of her profession. She is one of the Royal Danish Ballet’s biggest stars, but like all other ballet dancers, her career ends when she turns 40. With only one season left, Kizzy must find out who she will be when she is no longer the company’s guiding star. She desperately wants to be a mother again, but will her body grant her that wish?
70/30
70/30 In 2019, thousands of Danish children and youths took to the streets. They stayed away from school to demonstrate for the climate, mobilise their parents and grandparents, and demand action – now! When elections were called later the same year, it was clear that green climate policies attracted voters, and suddenly the climate was at the top of the political agenda. ‘70⁄30’ portrays the creation of one of the world’s most ambitious climate laws, with the goal of reducing Denmark’s CO2 emissions by 70% by 2030. But will the politicians, citizens and industry be able to come together to make Denmark a green pioneer? Or will the election promises and green ambitions crumble when the new climate law is faced with reality?
SUGIZO - Unity for Unive...
SUGIZO - Unity for Unive... Features SUGIZO's 20th anniversary concert. Features great acts such as Toshi, Ryuichi Kawamura, and Kiyoharu. Contains 16 tracks, including two unaired ones.
Madame Lauraine's Transs...
Madame Lauraine's Transs... Spend an evening at Madame Lauraine's transsexual whorehouse where you can either eat in or take out!
512 Hours
512 Hours In the summer of 2014, tens of thousands of guests flocked to the Serpentine Gallery in London to experience Marina Abramović’s exhibition ‘512 Hours’. But when it opened, it dawned on everyone that the audience itself was the actual work in the iconic performance artist’s landmark exhibition. The audience members were also active participants and co-creators of the social experiment, which - set against the minimalist background of the gallery’s empty space - developed continuously into new, unpredictable directions during the three weeks (or 512 hours) in which the exhibition took place, while Abramović herself took part in the performative ritual.