Only Once a Year

Nihikanimpa, Hombre Del ...

for KING + COUNTRY

Apostles: Resurrection o... The first in a trilogy of films inspired by Jesus' disciples in the New Testament.

A gua, a Mulher e o Rega... Experimental short, focusing on both a woman and a watering can sharing the same swimming pool.

The last jar Old shipibo konibo Lola witness how mestizos have appropriated and deforested the forests that ancestrally belonged to her community; they are no longer allowed access and she no longer have the materials to make their ceramic jars. She worries that every day they are losing their culture

Hong Yi - Documenting Vi... [The name "Hong Yi" not only represents a local "art" style that has attracted much attention in Taiwan in recent years, but also allows us to witness from a life course that belongs to the "anomalous" features of contemporary society. ]

Tai Wan Yi Shu Deng Jie [Ten Years of Installation Art Series-Taiwan Art Lantern Festival (Technology Empyrean 2004) The Taipei County Bureau of Culture used "Technology Auras-Metropolitan Gaze and Imagination" as the curatorial proposition of the 2004 Taiwan Lantern Festival Art Light District. It reintegrated the meaning of the times, contemporary art, and the cultural image of the traditional Lantern Festival. Its purpose is to focus on dialogue through the works of artists, the contemporary "urban imagination", and a total of 9 domestic artists' lantern festival installation creations.]

Chuan Yue Hua Shan Wei Q... [Installation Art Decade Series-Crossing Huashan Wall (History, Ready-made Objects 1998) The Huashan Winery in Taipei City was designated as the first installation art exhibition of the Art and Cultural Special Zone. The background of abandoned factories and warehouses brings a special atmosphere to the film and is also fully utilized by artists.]

O Brasil de Darcy Ribeir... Documentary on the view, testimonies and times of Darcy Ribeiro, since military dictatorship.

Sound of Sakura A group of Taiwanese who were born before World War II still insist on writing poetry and haiku in Japanese language. Director HUANG Ming-chuan has been documenting them for 22 years since 1994. Unlike Korea, another previous colony of Japan, Taiwan retains emotional and cultural ties with Japan even after the War. Over 40 years, these poets and writers get together discreetly under the ban of speaking and publishing in Japanese. More than half a century later, despite aging, they remain using Japanese in the final years of their lives. This film gathers memories of local Taiwanese who have been ruled by several colonial powers since the Dutch arrived on the island in late 17th century. And the path to obtain their own voice became a long way struggle, and so as the national identity.