หน้าแรก / ภาพยนตร์ / The Scarlet Car

The Scarlet Car

กำลังโหลด...
1923-01-15 ภาพยนตร์
The Scarlet Car
ผู้อำนวยการStuart Paton
นักแสดงชายHerbert Rawlinson, Claire Adams, Edward Cecil, Norris Johnson, Tom McGuire
พิมพ์Drama
พื้นที่United States of America
ภาษาNo Language
วันที่วางจำหน่าย1923-01-15
คะแนน8.0

เนื้อหาเบื้องต้น

Billy Winthrop is in love with Beatrice Forbes, who is engaged to Ernest Peabody, a reform candidate for mayor backed by Billy's father. When Billy learns that Peabody has betrayed Violet Gaynor and plans to doublecross Mr. Winthrop, he exposes the candidate with the help of Mitt Deagon and wins Beatrice.

คำแนะนำที่เกี่ยวข้อง

Retrodreaming
Retrodreaming RETRODREAMING examines the common phenomenon of ghostly, abandoned schools due to demographic change in the countryside of Japan. Empty schools in deserted villages tell their own story: May it be during the pandemic, after a nuclear catastrophe, or just due to depopulation. The film references the Japanese tradition of telling "Kaidan "(ghost stories/scary stories) and the multiple school-themed "Kaidan "(Gakkō no Kaidan, Japanese for "Scary School Story") in Japanese mainstream culture, which encompass the idea of entities and memories remaining in these architectures. The film focuses on the visual quality of the Showa-era architecture of the abandoned Sawada School in Nakanojo. A voice from a tape recorder recalls the reality of a secret experiment during a pandemic that resulted in further mysterious events. The audiovisual experience draws the viewer into a strange, suspenseful atmosphere somewhere between an unlived retro-future, a sci-fi dream, and an unfinished mystery tale.
My Friends
My Friends The sweet story of a confused gay man and his best friend after an unusual night where he comes out to his friend and regrets such act feeling real bad. However, what he wasn't counting was that his friend is very helpful, understanding and is very supportive of him. A story about loyalty and true special relations.
Spring Songs
Spring Songs Entering and exiting a season.
Satu Untuk Selamanya
Satu Untuk Selamanya Salma who had left her two best friends, Alex and Ziva, 9 years ago, brought her back to her birth. Salma's return, got a strong reaction from Alex who felt very hurt because Salma just left their motorcycle gang without having time to say goodbye. This situation makes Salma have to try hard to win the hearts of Alex and Ziva in order to carry out their dream that had never been realized before: namely driving on a sacred path called Route 18.
7-24
7-24 Anggara finds Aini, his wife, missing some of the time due to illness just before their second wedding anniversary. So how did Anggara know the fact that the memories that his wife had lost were all about him, so that he thought Anggara was his husband in the last few years of his wife's life?
Asspera: Sin depender de...
Asspera: Sin depender de... Film/Concert mixture, showing the story of an Asspera fan going throughout a day in his complicated life, interspersed with footage from the band's show at the Malvinas Argentinas stadium in 2014.
My Crush Is a Cactus Kil...
My Crush Is a Cactus Kil... Mikey's love for cacti is put to the test when he encounters an equally persistent online buyer, Mandy, over a rare cacti. Little did he know that this chance encounter will usher the start of brighter days ahead.
Beautiful Devotion
Beautiful Devotion A melodramatic film about a fisherman who disappeared at sea. After many years, he returns and finds out that his wife has a different family. The fisherman does not disturb his beloved wife and secretly leaves his native place.
Portrait
Portrait A painter went to make a portrait of Zhang Baotian, a model worker. On the train, he met a big man. The painter praised Zhang Baotian in front of him, but the big man said that Zhang was nothing special. Later, I realized that the big man turned out to be Zhang Baotian, so he prepared to make a portrait of Zhang.
Black '67
Black '67 Beginning in 1965 with Black Is, Tambellini launched a series of politically charged experimental films that explore the expressive possibilities of black as a dominant color and idea. For the most part Tambellini’s seven “black films” are made without the use of a camera but rather by carefully manipulating the film itself by scorching, scratching, painting and treating the film stock as a type of sculptural and painterly medium.