Renaud, on t'a dans la peau

Docwomentary: Women Behi... A filmmaker explores why women are at the forefront of documentary filmmaking in the Philippines by chronicling their narratives of struggle and victories as they navigate the masculine filmmaking industry. Throughout the film, she discovers her own reflexivity as a filmmaker but most importantly, as a woman.

THE SOFA The story is about two old men. One day they are invited to a friend’s wedding. On the wedding day, not knowing what present to give, they randomly decide to take the sofa from the courtyard. They steal a car, get the sofa on the top and hit the road. Little do they know, about the troubles this sofa would cause them.

Ah'lar Aac... The woman ties a cloth to the wishing tree...

All The Pretty Summer Co... Shot during the summer months around my neighborhood and manipulated on my Optical Printer.

Roommates When Samson realizes that his roommate, Sally, has stolen his juul, he confronts her, leading to a fight between these two impulsive college students.

The Night Belongs to the... Music: The Republicans, The Appliances, and The Suburbs "THE NIGHT BELONGS TO THE POLICE concerns a burned-out agoraphobe (Jerome Carolfi), his frustrated girlfriend (poet Tess Gallaher), a wonderfully kinetic proto-punk Tinkerbelle (Michelle Davis), and a malevolent network of chiropractors. A satire of fashionable nihilism, it manages to simultaneously mock and embrace the so-called posturing of the so-called New Wave. It is, most of all, funny."–Chris Ward, CityLights

Ilusionada

Movie Stills "The more recent MOVIE STILLS (1977) is a melancholy procession of frozen moments being born, ripening, beginning to die before our eyes. Murphy selected 16 frames from a found home movie, photogrpahed them with a polaroid camera, then filmed the three minutes it took each image to materialize. Because of the higher contrast caused by this rephotography, the pictures seem to be darkening past their prime just as Murphy cuts to the enxt. Every shot starts out white and there's a key element of suspense as one's retitnal afterimages compete with the emerging forms of the developing photo. After a while, the ghost of an anecdote – a woman and two men mugging for the camera, an odd flirtation – develops too. 'A photograph is a secret about a secret,' Diane Arbus once wrote. '"–J. Hoberman, Village Voice.

Punch It Tom is a young skateboarder wandering around his town. Suddenly, he enters an abandoned amusement park closed to the public, where he sees a boxing machine that attracts his attention. From that moment on, everything will be different.

The Rotter The Rotter is a Visually Dark, Intense and Intriguing cinematic and artistic approach towards the more creepy sub-genre elements of Horror, about a mysterious and strange entity known as 'The Rotter'. It haunts and punishes the Sinners and fakers of the Society. The Origins and Who The Rotter really is and why it do things like this is mystery and kept unknown.