The End of the Line

The Ambush It is the winter of 2018, the men and women of the UAE military are deployed to provide aid. At the Mocha Base, spirits are high as three Emirati soldiers anticipate an imminent return home. While on their final routine patrol, the three soldiers, Ali, Bilal and Hindasi are ambushed by heavily armed militants on their route, through a narrow canyon. Trapped, wounded, and out of communication range, the three soldiers realize the gravity of their situation. They are running out of options, munitions - and time. Back at the base, their commander receives word and realizes that the assault on the UAE army patrol was premeditated. A rescue mission is quickly put into action, but will air and land support reach the men in time, and will they survive?

Golden Butterfly A policeman with a violent past meets a small boy with whom he undertakes a fantastic journey.

Achim Reichel - Westfale...

Radikal Simon joins left-wing extremism, the far-right scene, and Salafism in various scenarios.

Martijn Koning: Koning v... Martijn takes on every kind of animal as he fires his observations into the crowd

1925 1925 aka Hell is a animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage. 1925 is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1925.

Night Flights A couple has sex in different positions under the covers. They are interrupted by the sound of the doorbell. The lover looks for an escape. Finally, he will find it, similarly to other night lovers.

Les Tarterts...

An Interlude (extended c... Dean Hennessey, a political dissident, attempting to flee the dystopian city of Argon is faced with the ongoing threat of capture by a disillusioned secret police agent.

Downhill Penis-shaped men make a joint attempt to push an old carriage down the hill. They manage to remove all the wheels of the carriage, one by one. Then, collectively, they lift the wheelless vehicle and carry it down. The year of the film's production – 1979 suggests that the director wanted to mock the decline of real socialism. The system was weakened by the political and economic crisis. The collective effort of the men was a reference to the growing opposition.