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Twenty One Hours

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2022-05-20 ภาพยนตร์

ผู้อำนวยการJaishankar Pandit

นักแสดงชายDhananjay, Durga Krishna, Sudev Nair, Rahul Madhav

พิมพ์Thriller, Mystery

พื้นที่India

ภาษาKannada, Malayalam

วันที่วางจำหน่าย2022-05-20

คะแนน4.5

เนื้อหาเบื้องต้น

Madhuri Menon, a young married woman, goes missing in Bengaluru. A young police officer, Srikanth, is on the case, as he rounds up some usual and unusual suspects. Do they find her? Is everything as it seems or is there be a darker truth?.

คำแนะนำที่เกี่ยวข้อง

Omerta: The Act Of Silen... The film takes place in the Priests office in a Brooklyn parish. It's told in flashbacks and gives the audience a chance to witness the inner workings of this horrible association that has destroyed families and communities throughout the country. The main character who is played by world champion boxer Paul Malinaggi is full of emotion and personal experiences that plays as an eye opening to anyone that has lost or steered away from God. Paul is so charismatic that in the end you will not only feel for this man you will understand his pain and the need for redemption. The film stares Will Wallace (Tree of life) Joe Estevez, Adam Nelson ( Mystic River) Joe D' Onofrio (Bronx Tale) Carmen Argenziano(God Father)

The Screen, Just the Scr... I have a fixed idea about the screen that while it has no depth, we know that it is sprayed by 24 frames a second at the same point for an infinite amount of time. Were it possible to freeze into a solid the sum of all the images, the screen would be seen as a limitless freezer of frames. Even more so, when the screen is a screen of a screen—a condition approaching the simultaneity of electronics. The usual battery of devices: Super-8, 16mm and slide projectors. A constructed series of film loops with scenes of [everyday] life, slowing down and accelerating the events on a solitary screen, so that life as it has been staged gathers itself up in a perpetual serial [process of] self-editing. On the tv screen a face is pierced through by the small filmic screen.

Eating Animals An examination of our dietary choices and the food we put in our bodies.

Secrets of the Andean Te... Thousands of years before the Inca, a megalithic civilization was founded at Lake Titicaca which spread 500 miles to Cuzco, following a global flood that destroyed the Earth in 9000 BC. Its architects — Viracocha and his seven Shining Ones — disappeared as mysteriously as they appeared, yet the legacy of temples they left behind still baffles the modern mind. Filmed at Tiwanaku, Puma Punku, Cuzco, Quenqo, Saqsayhuaman, Amuru Machay, Quillarumiyoc, Pisac, Tombomachay, Huayna Picchu, Ollantaytambo, Machu Picchu, Cutimbo, Silustani and Amaru Meru.

Yokohama Mary A documentary that pursues the traces of a woman in Yokohama who stood at a street corner as a prostitute for 50 years after the war. An old woman, dressed in an aristocratic dress with her face made up white, quietly stands at a street corner. Known as a beautiful prostitute, her sophisticated behavior, as the years rolled by, became part of the local scenery. Never revealing her real name or her age, the woman preserved her lifestyle as a prostitute. People call her "Yokohama Mary". In winter 1995, Mary disappeared from the street. Rumors spread like an urban legend. There were some people who kept a kind watch for her. One such person is a chanson singer, Nagato Ganjiro, who has very little time left to live because of his illness. As Nagato recalls his memories of Mary, his desire to sing in front of her once more grows.

Anonimatografo This film was shot a frame at the time using laborious extreme optical close-ups. Anonimatograph: the reanimated image of an unknown amateur at the beginning of the century who becomes middle class as he focuses on friends, movie camera in hand, indoors and outdoors surrounded by war and by his sisters. I have tried to reconstruct an extravagant film diary from which I have painstakingly torn out little pages of frames. These frames were exposed and abandoned on negative on a number of photographic reels, cut together at random in two sixty-meter reels in 35mm and acquired by me for 500 Lire from a flea-market vendor. Many frames were shot vertically, others only partially exposed, sometimes properly developed, sometimes not. I tried to animate these little reels using a flicker technique with light stroboscopic touches; in short, a film that could not be recommended to anyone.

Real Image / Virtual Ima... A film that has chosen as its protagonist its own negative and will remain committed to that choice until the very end. More precisely, nearly positive, or rather, not all negative, it detains two characters in constant solitude afflicting them with visions and apparitions of the epoch of man and the epoch of the cinema.

Cineforon A filmic homage to the German mime Helfrid Foron, a student of Etienne Decroux who worked with acrobats and tight-rope walkers. He frequently collaborated with contemporary musicians, among them Mauricio Kagel. My intention was to displace his gestures using a form of filmic doubling employing the technique of creating bispecular-asynchronous loops which mime—with extreme visual results—the actions and the objects on stage to make them stand out and to distance them from the action.

Unstable Figures Amidst ... This film is an accumulation of semi-stroboscopic figures with features invisible to the eye, that remain in the human cerebral cortex located at the top of the brain. Nature and people are compressed and disturbed by geometric forms that struggle among themselves stroboscopically, appearing flat but transparent, penetrating the other images, causing them to contract in movements joined at the center of the screen, but more fluid at the edges. This pulsing together awakens the figures to a twofold life: mirrored and not mirrored, a result of their being filmed one frame at a time, directly, non-stop.

Me, Gangster Told in the form of a diary, the story details the rise and fall of gangster boss Jimmy Williams.

Twenty One Hours

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