Cheshme Entezar

Warsha A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom.

Visit Greece An end of study film for this film director who graduated from the Gerasimov Institute of Cinematography (VGIK) in Moscow, it was produced from audiovisual archives found in Russia. Inspired by the film "Triumph over Violence", produced in 1965 by Mikhail Romm, a study director and film director, "Visit Greece" tells the story of the first tourists – usually armed and not invited – to visit Greek territory at various periods of its history.

Training Wheels A socially inept woman rents one man to prepare for another.

Silence, Darkness The film was made at the Polish Sculpture Center in Oransko, during sculpture workshops for deaf-blind people. The camera shows the process of creation, which is closely connected with getting to know oneself. It is accompanied by hesitation, anger and joy.

The Panola Project Highlighting the heroic efforts of Dorothy Oliver to keep her small town of Panola, Alabama safe from COVID-19, The Panola Project chronicles how an often-overlooked rural Black community came together in creative ways to survive.

The Trial Propaganda-saturated reportage on the trial of Bishop Czeslaw Kaczmarek, the Ordinary of the Kielce diocese, who was arrested on charges of spying for the United States and the Vatican and fascists.

Nova On a mission to set up a robot colony on Mars, Android Officer Nova is caught between her human crew-mates and her own kind when a mutiny erupts during the flight.

Summer in Zabno The heroine of Kazimierz Karabasz's film is Maria Kolano, a first-year student at the Warsaw Agricultural University, who returns to her hometown of Żabno during the summer vacations to help her parents with their fieldwork. The documentary filmmaker equips Maria with a camera.

Magical Thinking A censor's tale about the official and unwritten rules of censorship in the People's Republic of Poland accompanied by shots and archival photographs. Their selection and presentation reveal the ironic attitude of the authors towards the protagonist's statements. The film was made in the year of the liquidation of the Main Office of Press, Publication and Audience Control.

El rescate de Chorizo