The Schnitzler Case

Los pasajeros del jardn... A man's terminal illness disrupts the happiness of his marriage.

Connection This documentary film is made without words, music, and usually even without human presence. At the beginning, we see in detail a small wolf cub that some people found abandoned in a forest and are now taking to a rescue station by car. Then pure observational methods are used to develop the light-hearted story of two such wolves during their forced stay in captivity until such time that they are returned to the wild. The structure of the film is based only on the changing times of day and yearly seasons. Everything else is open to the viewer’s interpretation of animal behavior, chiefly during the wolves’ interaction with other representatives of their own species and in both familiar and unknown surroundings.

Roof of Leaves Constantin, Sarah and Gregor live in a polyamorous relationship. Their intimate confession is not just a demonstration of a free relationship between three people. The lovers, who have intimate conversations, sing, tease each other, or remain silent together, give a glimpse into the life of a social unit that takes questions of trust and tolerance to extremes. A polyamorous relationship can sometimes be even more solid than a couple because it goes beyond the familiar. It represents an experimental space where safe boundaries are abandoned and a gateway is opened to a frighteningly unrestrained universe where established patterns of behavior do not apply. It is a chance to free oneself from inner demons and be renewed within. To find ourselves, we must first lose ourselves.

Dreaming Apecar Caterina is a 45 year old Italian woman who has been without a job for months and cannot find another one. So she accepts to work as a carer for Gheorghe, an elderly lively Romanian stuck to a wheelchair. This experience will change her life.

Diladdarno - Vita di un ...

Angela: The Official Sle... The definitive documentary on the Sleepaway Camp series.

Back Home Due to the impact of the global Coronavirus pandemic, the author of the film comes back to her birthplace after having spent the last 10 years abroad. She goes about her daily routine under lockdown along with her parents: her father teeming with good humour who takes government restrictions with reservations, and her mother who voluntarily locks herself in her room because of fears she could infect other flatmates with the virus she may not even have. Sara Shazli observes city bustle outside the windows and domestic life through the camera lens in her own perspective, treating familiar situations with both tragic and comic distance. Being locked down with her parents helps her in rediscovering family ties and her relationship to home.

Betula Pendula Thomas lost his sight already in his childhood. He kept his sight memory, though. After many years, he comes back, both in person and in memories to his childhood places, the colours and shapes which he still vividly remembers. Starting from descriptions of rooms and furniture, he delves deeper, into feelings, passions, hopes and frustrations. In a combined visual and tactile film essay on the ability of perceiving the invisible details, looking back at his life, he asks the question, along with the filmmaker Lina Zacher, to what extent one’s identity is created by images. Can one understand oneself and one’s surroundings, finding one’s place in the society without actually seeing where one is?

A letter to Nikola As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.

No Desire to Hide The film shows the ordinary lives of young people in China, with all their romantic problems, unfulfilled dreams and existential crises that are interwoven into everyday dialogues and conversations with the director. The two central protagonists try to function in an open relationship, which suits only one of the partners, while the other suffers and longs for a family life. The possibility of emigration to America is a hope, but it is gradually receding due to the worsening political situation. The camera captures even the most intimate moments and puts the viewer in the position of a voyeur observing the exposed bodies and souls.