G.K.

Najibeh

Amerikan Sound en la Fon...

Qerq A young woman joins a criminal gang after being released from a juvenile correctional facility.

The house that shadows b... A 3-channel video installation consisting of spaces of worlding that allow for a reconfiguration of the real in a way that escapes commodification. Dismantling seemingly fixed identities, both of the subject and their background, the story weaves around Olga Petrova, an English silent film actress, who pretended to be an Eastern-European countess in order to gain fame in the American film industry of the 1910s. She set up her own film studio, which closed, like many others, when the major studios in Hollywood dominated the industry. The work looks at how copying, especially of the strategies of mass cinematic productions, can become a tool of emancipation and production of difference. Olga’s story is reimagined through a fictionalized tour of her studio, where the viewers are guided by a green screen.

Alan

The Delights High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

Strangers in the Night A serial killer bored to death in Covid quarantine and desperate for a victim picks up an innocent hitchhiker, but what he thinks will be a quick and easy kill, turns into a long and challenging night.

Gjama “Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.

Born With Two Mothers A provocative drama about an IVF mix-up which results in a white woman giving birth to a black boy.

The Reflected Presence The Reflected Presence video work was a part of a site-specific installation in Maison Descartes, questioning power dynamics through spatial contexts of our built environments. A corner of a room is to be observed allowing spectators to catch the differences in the perception on the same corner before and after a female character is appearing. It feels like reflecting never ends, I absorb and reflect. One day I absorb, the next I reflect. And then, I meet you and I reflect on my yesterday’s absorption and now you absorb. It is the time to reflect on what I have been absorbing. Absorbing patriarchy. It was an empty corner just a second ago and the walls were just walls.