Massacre en haute mer

Uma ltima Noite...

Inkaboos During the years 1967 and 1969, Byron collected images and experimented with abstractions. Inkaboos was created during this period. It was made from hand-made inkblots that, according to Byron, were shot to animate as strange bat-like creatures. Inkaboos features a mix of many colors. In one scene, inkblots appear in yellow, in the next they appear in blue, and in some scenes they are appear as a blend of three or more colors.

终极旅程

Be On Alert A movie poster calling for vigilance. A former kulak is sneaking into the collective farm for the post of accountant. He squanders collective farm grain, cheats collective farmers, indulges idlers, creating a mood of discontent among honest workers. The collective farmers expose the enemy in disguise.

纹身师

Candyland Candyland is one of a series of studio performances from the project "Cannibal Garden" that examines the constructed identity as it mutates through digital space. Using artifice as costume, mining sci-fi, anime and horror films for psychological interactions, Handelman slowly crawls across the floor – the artist as obsessive devouring action machine – consuming pure color in in an act of auto-eroticism.

Days and nights "Days and nights" of work and rest in my flat set up as my workshop. For those who still believe that a free artistic activity (here the cinematograph) is not a kind of "work" (although this word's common meaning is at the very least darkened by suspect political considerations). Although "work" is not a "value" but at most a remainder of Judeo-Christian culpability (Adam and Eve driven out of the Eden and condemned to live of their work), it seems likely that human hyperactivity is effectively at the origin of this famous "reheating" of the planet. Thus, I conclude, so that this "work value" is a pretext for the capitalists to reduce the working classes to slavery and hence carry out their destroying madness. For my part, a moderate (artistic) activity helps me to keep in touch with my fellow humans and to maintain a "social" bond, the rest is only vanity...

Blackout Blackout is a film about time: specifically, the loss of time as experienced by a recently sober, 23 year-old person. The anonymous narrator of the film discusses her history of experiencing blackouts through drinking; covering a five-year time period that culminated in an entire three-day time-loss, her last bender. She also discusses levels of sobriety and her desire to continue to explore various recreational drugs. The narrator declares her intention to live her life alcohol-free, while simultaneously not wanting her identity to be defined through her problematic relationship with alcohol. The narrative is open, stark and direct: a dark insight, flecked with humor. Visually, the work stutters through black moments, punctuated by originally recorded, hand-processed 16mm color film, deploying multiple exposure and other in-camera, experimental techniques.

The Birth of a City On the 10th anniversary of Nowa Huta, documentary filmmakers go back to the beginnings of the town's construction and the conglomerate, using archival footage from the Polish Film Chronicle. The city is born to the rhythm of seven days of creation, and the jubilee is celebrated by children - its peers and former builders.

I’m Looking at Your Pho... A documentary film composed of private photographs taken from prisoners of Auschwitz-Birkenau. The authors use them to build a story, full of carelessness but also growing tension, about the end of the 1930s, the last days before the outbreak of war.