Peanut Butter and Jelly

The Black Ships Created with imagery taken from the 19th-Century Japanese woodcuts on display in the Smithsonian Institution’s exhibition “The Japanese Expedition 1852-1866 of Commodore Matthew Perry,” the film records the opening of the country to Western trade from a Japanese perspective. In Charles’ words, the film “shows something of the special and rare situations that existed when these two cultures came together…one very sophisticated, one with a highly developed technology.” The soundtrack juxtaposes the visuals, with music from the album “Banjo Kings,” an early-American fife-and-drum recording from the Smithsonian Institution archives, and traditional Japanese music from tapes provided by the Japanese embassy.

Between the Lines A little rose-seller attempts to change her own destiny by erasing the lines of her palms.

Milosrdn as...

Breathe Kobi, a black sweet, shy seventeen year old skips school to meet his friends for a George Floyd vigil. On his adventure; love, loss, fear and friendship become his greatest allies, or his worst nightmare.

France Gall et Michel Be...

Song Bird of the North Haywood, a suitor for the hand of Elida Rumsey, is severely reprimanded by her for not enlisting when President Lincoln calls for volunteers. Being deeply interested in the cause, Elida goes and helps Mrs. Pomeroy minister to sick and wounded soldiers. She becomes a favorite with the men, for she frequently sings to them. This attracts the attention of Lincoln

Les Coulisses suisses de...

Calamity Anne Takes a Tr... 'Calamity,' having fallen into money, receives a letter purporting to be from two long lost cousins, who were really Los Angeles confidence men. With her burro she goes to Los Angeles. After many adventures, she succeeds in getting her burro into the Pullman, and is met at the great amusement park, Venice, by the confidence men.

Kaleidoscope Jazz Chair Photographed through a mirror system to achieve radial kaleidoscopic images, the beginning portion of this film consists of fast-moving kaleidoscopic images of chairs, objects, and materials. In the second half, kaleidoscopic images of the Eames Office dissolve into a sequence of stop-motion shots of Charles and Ray seated in multicolored plastic chairs. The music is a jazz track composed and arranged by Dick Marx.

The Guerilla Menace In the hills of Dixie live Jed and Sue, a country lad and lass, who are very much in love with each other. The keeper of the wayside tavern is an unscrupulous fellow who has coveted Sue for some time. He makes advances to Sue, but Jed, who suspects the man, warns him to keep away and not molest her.