Interview with Salvador Allende: Power and Reason

The Lost Boys When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.

The NeverEnding Story While hiding from bullies in his school's attic, a young boy discovers the extraordinary land of Fantasia, through a magical book called The Neverending Story. The book tells the tale of Atreyu, a young warrior who, with the help of a luck dragon named Falkor, must save Fantasia from the destruction of The Nothing.

Men Prefer Fat Girls Lydie, a physically unattractive young woman, is brutally dumped by her fiancé when she had just acquired the lease of an apartment to live with him.

Dressed to Kill After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

Here And There

Samanka Young and sexy European fashion models are abducted to an isolated place (Ceylon), locked up, stripped, sexually abused and tortured by powerful, sadistic men.

Romancing the Stone Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.

Maththe Vasantha Maththe Vasantha is a 1983 Kannada film directed by Ravee (K.S.L. Swamy)

He's Worse than Me Two reckless friends Leonardo (Adriano Celentano) and Luciano (Renato Potstsetto) are just doing whatever they want and getting into endless alterations. When one of them decides to marry, their friendship is in a crisis ...

The Public Woman An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.