หน้าแรก / ภาพยนตร์ / Tough Enough

Tough Enough

กำลังโหลด...
1983-04-14 ภาพยนตร์
Tough Enough
ผู้อำนวยการRichard Fleischer
นักแสดงชายDennis Quaid, Carlene Watkins, Stan Shaw, Pam Grier, Warren Oates
พิมพ์Action, Drama, Romance
พื้นที่United States of America
ภาษาEnglish
วันที่วางจำหน่าย1983-04-14
คะแนน5.6

เนื้อหาเบื้องต้น

An aspiring country singer, whose money is disappearing faster than his career opportunities, enters a "Tough Man" amateur boxing contest to earn some cash to pay his bills. Amazingly enough, he wins it, and is picked to go onto the national finals. He's torn between his first love, music, and the glitz, glamor and money of the "Tough Man" world.

คำแนะนำที่เกี่ยวข้อง

Trans
Trans With trans, Martin Siewert and I used the 5 act structure of classical drama to create an atmosphere of in-between-ness and levitation. I found these old photographs of a harbor that totally embodied this emotion (also the sadness and melancholy of parting and saying goodbye). So I used them as my starting images and worked through the layers of the images, scratched away the unnecessary until I reached the essence.
KILVO
KILVO KILVO is a classical music video in the sense that the music already existed, a track by Radian called Kilvo like the town in Lapland. I wanted to know what the place looked like that inspired the music, so I went online and found all these old postcards and I started collecting them. I reduced the postcards to lines to emphasize the two-dimensionality of the represented landscape. I wanted the final videoimage to look like a postcard, so I divided it in 4 parts and generated every image on a black, a gray and a white background. Each beat of the bassdrum moved the images to the next quarter and I made an arrangement so that each quarter had to move in every three colors and in every possible direction. So in the end it became this very dynamic, animated postcard.
My Kingdom for a Lullaby...
My Kingdom for a Lullaby... Sound/intoxication (Rauschen) is what the music video is about, say the artists, and the ecstatic (Rauschhaft). The German play on words actually makes sense in MY KINGDOM FOR A LULLABY #2; it suits a piece, in which electronically generated sounds and images are modulated and combined in a thoroughly sensorial or even ecstatic manner. The term «white noise» refers to both visual and acoustic elements. It is a prevailing theme in this video, an abstract piece, which requires that the viewer look and listen with utmost attention. On a white screen appear horizontal and vertical lines in delicate gray. First they alternate, then overlap, fade, then become more intense. The soundtrack plays a primary role, is equally as powerful (and elusive) as the images: a composition of crackling, noises (Rauschen), and whirring begins to emerge; music comprised of subtle electronic tones and high frequency distortion.
Dub Incorporation - live...
Dub Incorporation - live...
Doctor Who: The Gunfight...
Doctor Who: The Gunfight... Arriving in the town of Tombstone, the First Doctor finds himself involved with gunmen out to kill Doc Holliday...
On Borders
On Borders In this documentary road movie, filmmaker Danielle Arbid tries to conjure up an image of the country that is called Israel or Palestine.
Fort d'exprimentation...
Fort d'exprimentation... The experimental forest, the name of a place, a title, and a statement of intent. The first step into this forest is represented as a black-and-white silhouette, branches against a background of clouds moving rapidly across the sky, with a modulating soundtrack that records and further develops nature’s sounds. A picture, whose aesthetic excess takes up well-known references to landscape paintings and photography, as well as genre cinema. But as soon as one penetrates deeper into the forest, the visual and tonal register changes, the view moves ever closer to the landscape’s pre-civilizational elements; vegetation, water, and wildlife. Attention urns to details, rhythm; to subtle and also surprising changes and movements. Nature’s enigmatic aspect moves to the forefront and the viewer is captivated by formal beauty, by pictures, which must first be decoded in their visual alienation and play of various size relations.
Founding Brothers
Founding Brothers The "self evident" truths were intensely debated in America's first years. Washington, Franklin, Hamilton, Jefferson, Adams, Madison and Burr struggled to transform their desperate visions into an enduring government. Based on Joseph Ellis's Pulittzed Prize winning book, Founding Brothers examines six moments when the collision and collusions of these towering figures left an indelible imprint on the nation: the secret dinner that determined the site of the capital and America's financial future; Benjamin Franklin's call for an end to slavery; George Washington's farewell address to the nation; John Adams's term as president; Hamilton and Burr's famous and fatal duel; and the final reconciliation between Adams and Jefferson. Drawing on the words of the founders and incisive commentary from leading scholars, Founding Brothers is an elegant and engaging portrait of America's origins in personal conflict and compromise.
Baby Blues
Baby Blues After the birth of her first baby turn's her husband's well-ordered existence upside down and forces him to act in response to the unexpected twists and turns of life.
Le Haut du Livre...
Le Haut du Livre... The film consists of a tracking shot across one of the biggest housing projects (400 meters long) ever made in France. Located on a hill in the city of Nancy, this project by Bernard Zerfuss is an idealistic gesture, typical of the 60’s, a project between land art and architecture that would soon be stigmatized among other giant projects and considered a mistake in many ways. The film was made ten years before the building project would be transformed to a shortened proposal. Half of it was turned down.The curves and the wavy moving image, due to the fact that the on-ride video was shot by the artist riding a bicycle, give the film a sense of fluidity and vertigo. The soundtrack is a Kate Bush song played backwards, emphasizing the rubbing like feeling in the image, like being in a melancholic nightmare.