หน้าแรก / ภาพยนตร์ / Au suivant !

Au suivant !

กำลังโหลด...
2005-07-06 ภาพยนตร์
Au suivant !
ผู้อำนวยการJeanne Biras
นักแสดงชายAlexandra Lamy, Clovis Cornillac, Juliette Roudet, Jerome Rudes, Rastko Janković
พิมพ์Comedy
พื้นที่France
ภาษาFrench
วันที่วางจำหน่าย2005-07-06
คะแนน4.9

เนื้อหาเบื้องต้น

Jo, an overbooked and explosive casting director, is looking for the man of her life while all the odds tend to be against her. Will Bernard, a wannabe actor turned funeral home employee, be the lucky one ?

คำแนะนำที่เกี่ยวข้อง

Tornado
Tornado A tornado is a spinning cyclone of nature. It stampedes like an angry bull through a tranquil pasture of blue violets and upright blades of grass. A tornado kills with abandon but has no will. Lynne Sachs’ TORNADO is a poetic piece shot from the perspective of Brooklyn, where much of the paper and soot from the burning towers fell on September 11. Sachs’ fingers obsessively handle these singed fragments of resumes, architectural drawings and calendars, normally banal office material that takes on a new, haunting meaning.
First Steps in a Terra I...
First Steps in a Terra I... A young American woman travels to Bosnia to contemplate life there after a period of war. The camera is her being, moving quietly in and out of apartments and mosques in Sarajevo, across cultures, between the real and the imaginary.
Investigation of a Flame
Investigation of a Flame On May 17, 1968 nine Vietnam War protesters led by Daniel and Philip Berrigan, walked into a Catonsville, Maryland draft board office, grabbed hundreds of selective service records and burned them with homemade napalm. INVESTIGATION OF A FLAME is an intimate, experimental documentary portrait of the Catonsville Nine, this disparate band of resisters who chose to break the law in a defiant, poetic act of civil disobedience. How did the photos, trial publicity and news of the two year prison sentences help to galvanize a disillusioned American public? INVESTIGATION OF A FLAME explores this politically and religiously motivated performance of the 1960′s in the context of extremely different times, times in which critics of Middle East peace agreements, abortion and technology resort to violence of the most random and sanguine kind in order to access the public imagination.
Noa, Noa
Noa, Noa Over the course of three years, Lynne Sachs collaborated with her daughter Noa (from 5 to 8 years old), criss-crossing the wooded landscapes of Brooklyn with camera and costumes in hand. Noa’s grand finale is her own rendition of the bluegrass classic “Crawdad Song”.
States of UnBelonging
States of UnBelonging The core of this haunting meditation on war, land, the Bible, and filmmaking is a portrait of Revital Ohayon, an Israeli filmmaker and mother killed near the West Bank. Director Lynne Sachs creates a film on the violence of the Middle East by exchanging letters with an Israeli friend. Together, they reveal Revital's story through her films, news reports, and interviews, culminating in heartbreaking footage of children discussing the violence they've witnessed. Without taking sides or casting blame, the film becomes a cine-essay on fear and filmmaking, tragedy and transformation, violence and the land of Israel/Palestine.
Atalanta: 32 Years Later
Atalanta: 32 Years Later A retelling of the age-old fairy tale of the beautiful princess in search of the perfect prince. In 1974, Marlo Thomas’ hip, liberal celebrity gang created a feminist version of the children’s parable for mainstream TV’s “Free to Be You and Me”. Now in 2006, Sachs dreamed up this new experimental film reworking, an homage to girl/girl romance.
Fructose
Fructose Deep in the English countryside, the government has preserved an apple tree, supposedly the very same from which Isaac Newton’s apple fell from. This image of the falling apple giving the idea of the law of universal gravitation has been reproduced, vulgarized, reused, commercialized, etc., and yet the actual story doesn’t come from Newton himself : thirty years after his death a biographer claimed it as an anecdote Newton once shared with him. And as for this protected apple tree, it is not sure that it is the actual tree mentioned in that anecdote. Fructose takes this as starting point to generate a poetic and surrealist documentary about the images that science produces and their impact on our own understanding of the world. Equally at play are interrogations of the ideology behind what we call “scientific knowledge” and its relationship with the notion of truth.
The Last Happy Day
The Last Happy Day THE LAST HAPPY DAY is an experimental documentary portrait of Sandor (Alexander) Lenard, a Hungarian medical doctor and a distant cousin of filmmaker Lynne Sachs. In 1938 Lenard, a writer with a Jewish background, fled the Nazis to a safe haven in Rome. Shortly thereafter, the U.S. Army Graves Registration Service hired Lenard to reconstruct the bones, small and large, of dead American soldiers. Eventually he found himself in remotest Brazil where he embarked on the translation of “Winnie the Pooh” into Latin, an eccentric task that catapulted him to brief world-wide fame. Sachs’ essay film uses personal letters, abstracted war imagery, home movies, interviews and a children’s performance to create an intimate meditation on the destructive power of war.
Georgic for a Forgotten ...
Georgic for a Forgotten ... I began reading Virgil's Georgics, a 1st Century epic agricultural poem, and knew immediately that I needed to create a visual equivalent about my own relationship to the place where I live, New York City. Culled from material I collected at Coney Island, the Lower East Side, Socrates Sculpture Garden in Queens, a Brooklyn community garden and a place on Staten Island that is so dark you can see the three moons of Jupiter. An homage to a place many people affectionately and mysteriously call the Big Apple. - Lynne Sachs
Cuadro por cuadro
Cuadro por cuadro A documentary of a workshop taught by the filmmaker at the Foundacion D'Arte Contemporaneo, an artist's collective in Montevideo, Uruguay. Workshop participants pore over discarded films, one frame at a time.