หน้าแรก / ภาพยนตร์ / A Fine Mess

A Fine Mess

กำลังโหลด...
1986-08-08 ภาพยนตร์
A Fine Mess
ผู้อำนวยการBlake Edwards
นักแสดงชายTed Danson, Howie Mandel, Richard Mulligan, Stuart Margolin, María Conchita Alonso
พิมพ์Comedy
พื้นที่United States of America
ภาษาEnglish
วันที่วางจำหน่าย1986-08-08
คะแนน4.6

เนื้อหาเบื้องต้น

Two friends discover a plot to fix a horse race and try to capitalize on it, but soon have to deal with the two men who fixed it, the police investigating it, and the mob boss whose amorous wife is mixed up in it.

คำแนะนำที่เกี่ยวข้อง

Girl in a Yellow Dress
Girl in a Yellow Dress A family reunion is plunged into crisis when a runaway daughter returns with a shocking revelation that threatens to destroy everything.
Feed A
Feed A A S.W.A.T. team answers a call for a missing police officer sent out on a domestic disturbance call. What they find is anything but routine.
Shackleton
Shackleton Ernest Shackleton led three British expeditions to the Antarctic, but the polar explorer is best remembered for how he handled adversity. His ship Endurance was crushed by ice floes and he managed to keep everyone alive in a harrowing journey to safety in sub zero temperatures.
The Fourth Estate
The Fourth Estate Produced in the UK on a zero-budget, the filmmakers spent two years contacting and interviewing journalists, organisers and critics of the corrupt industrial practices highlighted by, but not limited to, the Leveson Inquiry in 2011. While the phone hacking scandal illuminated the depth and breadth of the cavalier flouting of legality and integrity in British journalism, there are larger implications and connections to ideology, entertainment, and political economy at work in this crisis. The Fourth Estate is the result of an examination of these connections at work.
Where The Shadows Fall
Where The Shadows Fall The Man wanders a barren purgatory, seeking those he lost.
Aydame a vivir...
Aydame a vivir... While studying at a Catholic boarding school, the young Luisa meets a boy, Julio, who talks to her from the street and through the gate. However, the girl's arrogant older brother removes her from the establishment and takes her to live in her family house. The beginning of love between Luisa and Julio is made even more difficult by what seems to be the beginning of a disease in her.
Tagada Jones - Live au T...
Tagada Jones - Live au T...
Children’s Games, Heyga...
Children’s Games, Heyga... In this work Mark Lewis highlights the gap between utopian visions and everyday realities. The camera glides around a complex network of empty walkways in South London’s soon-to-be-demolished Heygate Estate, with the seamless movement of a computer game. Every detail is precisely planned and produced, from the perfect spring weather to the child actors playing in communal spaces. We are forcefully drawn into the image as the camera glides through the estate’s narrow paths, creating a metaphor for the linear nature of film itself, always moving on. Through this travelling motion, the architecture of the Heygate Estate is animated as a constant stream of images and information, highlighting how we, as viewers, understand the world around us, and what impact it can have on us.
Pull Focus Gasometer
Pull Focus Gasometer PULL FOCUS: GASOMETER shows how illusion and reality are interchangeable. It is engaged with ideas around movement and stillness, and with the different ways that a work of art can be both experienced in time and in turn can represent time. Lewis‘ work highlights, through film, that what is always present in a great pictorial work of art is a depiction embedded in a complex relationship to time.
Spadina: Reverse Dolly, ...
Spadina: Reverse Dolly, ... In Spadina: Reverse Dolly, Zoom, Nude, Lewis establishes cinematic continuity between three separate scenes. The title indicates the place and progress of the film: it is a three-minute single shot, filmed in Spadina Road in the north of Toronto. We follow the transition from a close-up to a wide shot, all with the fluidity of a long dolly shot that is carefully developed. The movement begins with a reverse dolly shot, going from details of leaves on a tree to a wide shot of an urban landscape, then zooms towards a building and ends on an image of a woman taking some fresh air on her balcony.