Heavenly Days

Orion Climbs This meditation on family and friends uses, as a point of departure, the relationship between the maker and his grandparents. The piece combines colorized Pixelvision and standard Pixelvision interviews, video beamed from the space shuttle Discovery, and English language records from the 1940s, to explore this often strained but humorous relationship.

Glass Jaw In April of 1991, Michael O'Reilly broke his jaw in a biking accident, and in July of that same year he was assaulted and had to undergo brain surgery as a result. O’Reilly narrates the painful story of his recovery, his problems with public aid, and his daily adjustment to pain.

Final Exit An aged one is confronted with his options in blunt terms. Does he want to drag out his existence, increasingly infirm and a burden to his caretakers, or go quietly before resentment overwhelms sentiment? Does he wish to go on living, the quality of his life increasingly diminishing, or be euthanized? Would he prefer cremation or burial? This video confronts the issues of mortality and advancing decrepitude that faces even the friskiest.

Coal Miner's Granddaught... Shot primarily in Fisher-Price pixelvision, for the “murky look of memory," COAL MINER'S GRANDDAUGHTER is a profoundly moving family portrait focusing on the youngest daughter Jane, as she leaves her Pennsylvania home and finds sexual independence in San Francisco.

Joe-Joe Taking queer artistic license, Dougherty and Singer together portray a gay male playwright who took 1960s London by storm. The result is a witty play on narcissism and split personality that captures the banality of stardom while paying tribute to promiscuity and transgression.

Elegy It’s the first day of autumn, and Gibbons can already smell death in the air. Leading us and his dog Woody on a walk through a cemetery, Gibbons voices his obsessive thoughts of death and destruction. Waxing weirdly philosophical, Gibbons satirically tries to impress the concept of mortality on his dog; the video, shot in Pixelvision, approximates his dog’s black-and-white vision.

Creedence Clearwater Rev... Creedence Clearwater Revival Royal Albert Hall London, England April 14 1970 50 Minutes NTSC Mono 1 Born On The Bayou 2 Green River 3 Tombstone Shadow 4 Travelin' Band 5 Fortunate Son 6 Commotion 7 Midnight Special 8 Bad Moon Rising 9 Proud Mary 10 The Night Time is the Right Time 11 Good Golly Miss Molly 12 Keep On Chooglin' John Fogerty: Guitar and Vocals Tom Fogerty: Guitar Stu Cook: Bass Doug Clifford: Drums

Sabotaging Spring Gibbons enters the woods to begin his destructive campaign against spring, snapping the buds off trees while babbling maniacally. SABOTAGING SPRING is an impressionistic peek at Gibbons’s paranoid fancy; he explains the facts of life, evolution, and whistling to his dog Woody.

His Master's Voice Gibbons presents a Son of Sam-like relationship between a man and his dog in which the man takes the dog to task for the terrible things he has made him do.

Pretty Boy Tension between a man and his handsome young rival (a Ken doll) erupts into violence. Their interaction devolves from a series of tussles to a spanking.