Las delicias de los verdes años

Ghost Love Three traveling students are forced to stay in a old temple and are told by the groundskeeper not to open the doors or windows after dark. One of them doesn't listen, meets a beautiful woman and the next day is found dead with two small puncture wounds on his arm. The following evening, a second student is killed, leaving only Marut. Will he be the next victim?

Bench Cinema Nasi spends months after release from prison, watching the films and memorizes all the lines. He then travels around to perform the films as a one man show on a bench. Gradually he forms a theatre group called Cinema Bench...

Ax: Music of a People... Originally from Bahia and considered today one of the most globalised musical movements in the world, Axé is a musical rhythm that carries in its essence a good part of all the musical and cultural syncretism of Bahia. The documentary brings together interviews and archive images outlining the birth of Axé.

Vinicius de Moraes, Um R... A documentary on Brazilian poet and composer Vinicius de Moraes, made by his daughter a few months before his death.

The Cause and the Shadow In Portugal he was a priest, in Brazil a revolutionary.

O Clique nico de Assis H... Documentary about the Minas Gerais photographer Assis Horta, who immortalized the architectural heritage and society of Diamantina. The great impulse of his career came in 1943, with the Consolidation of Labor Laws, promulgated by Getúlio Vargas. By making mandatory a professional card with photo, Vargas gave the push that the working class needed to enter Horta's photographic studio. In the years that followed, the photographer portrayed hundreds of people. In 3x4 or full-length, many took their first portrait.

Friday the 13th The day after the November 13th terrorist attack in Paris, Michka Assayas’s weekly radio program on rock ‘n’ roll is haunted by this mass murder.

The Lost Film A copy of the filmmakers' first feature film disappeared somewhere in Yemen on the 10th anniversary of the reunification of north and south. A year later, they returned to track down the print, embarking on a journey that would take them across forbidding terrain from Sana to Aden. What they discover is a land of contradictions where film is openly reviled and secretly loved, teaching them much about their status as filmmakers in the Middle East.

Grgona...

Bickels [Socialism] The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.