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Dussasana

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2011-05-27 ภาพยนตร์
Dussasana
ผู้อำนวยการPosani Krishna Murali
นักแสดงชายSrikanth
พิมพ์Crime, Thriller
พื้นที่ไม่มีให้บริการ
ภาษาTelugu
วันที่วางจำหน่าย2011-05-27
คะแนน0.0

เนื้อหาเบื้องต้น

Posani Krishna Murali has mastered the art of keeping the audiences engaged by the first fifteen minutes, not because of some spectacular comedy or mind-blowing action but due to weird dialogues and scenes.

คำแนะนำที่เกี่ยวข้อง

Frank's Joke
Frank's Joke Frank told a bad joke at his new place of work. Nobody laughed. Now at 3am in the morning he is unable to sleep as he obsesses and ruminates over this social faux-pas, leading him to ponder on the nature of memory itself.
The Three Crow Boys
The Three Crow Boys This animation takes place in a ravaged London street in the midst of war. Between mounds of rubble and bomb craters stands the house of a lonely old blind man. Late one night he receives three unexpected visitors.
Exact Time
Exact Time There are those who follow the course of time. As in Soviet times, they adjust the accuracy of the clock in the astronomical institute every day. The clock runs fast, then slow, and we are left to wonder exactly what time we live in.
Casas Caiadas
Casas Caiadas Maria wakes up in the morning and notices that her house has been vandalized. Now, Maria is forced to relive the past in order to change the future and rebuild her home.
The Passage of the Bride
The Passage of the Bride "Solomon's work - some of the best of contemporary experimental film - is difficult. Its optical and moral density eludes language, as if the films, which are often dark and cracked, were a palimpsest of obscured meaning. His PASSAGE OF THE BRIDE is dedicated to Duchamp's alter ego, Rrose Selavy - the title recalls Duchamp's 'The Bride Stripped Bare by the Bachelors, Even' - and is itself a ready-made, composed entirely from a 100-foot roll of wedding footage and what appears to be the honeymoon. BRIDE is hypnotic, dreamy. Solomon compulsively repeats recognizable images until they melt like distilled essences of the originals: The bride's run across a lawn, her climb into a car, a man (her husband?) emerging from a swim all become undulating black and white swirls of grain, ripples of water ...." - Manohla Dargis, The Village Voice
Way of Life
Way of Life Piyo refuses to accept the responsibilities that comes with being the only son of a Datu from the Talaandig Tribe. He defies his destiny and runs away from home to pursue his dreams of freedom only to find himself behind bars when he is mistaken as a rebel.
Two on the Road
Two on the Road Olya Chumakova returns to her native village on vacation, where she meets a young sailor who had previously sent her a letter with his photograph. However, their meeting deeply wounds her pride. With the help of her sister Katya, Olya decides to teach him a lesson: she pretends to start a romance with a truck driver named Askhat, with whom she works during the potato harvest.
The Book of Everything
The Book of Everything A story about generation Y, the era of individualistic and extremely competitive people, who believe their meant to be exceptional. A generation where the unrealistic expectations rarely match reality. The story revolves around a young adult who is subject to the same circumstances and above all else wishes to be recognized by truly memorable achievements. Mota says he has been touched by god and is going to write a book about everything. In the limbo between the real world and Mota’s conscience the journey begins. The narrative oscillates between action and inertia, writing and procrastinating. The book of everything assumes an identity crisis. Mota, as other of his age, is subject to social pressure of making it big. He becomes so desperate at the reality of his life that builds a parallel one. It’s a movie about the unachievable realization of the individual.
Thorsten Havener: Der Kr...
Thorsten Havener: Der Kr...
Paywall: The Business of...
Paywall: The Business of... Paywall: The Business of Scholarship is a documentary which focuses on the need for open access to research and science, questions the rationale behind the $25.2 billion a year that flows into for-profit academic publishers, examines the 35-40% profit margin associated with the top academic publisher Elsevier and looks at how that profit margin is often greater than some of the most profitable tech companies like Apple, Facebook and Google.