Jean Rouch
ชีวประวัติ
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
ผลงานเด่น
ผลงานการแสดง
My Conversations on Film
as Himself
Maya Deren, Take Zero
as Himself
Jean Epstein, Young Oceans of Cinema
as Self (archive footage)
The Dreamed Films
as Self
Ciguri - Tarahumaras 99 - Le dernier chaman
as narrador
Ciguri – Tarahumaras 98 - La Danse Du Peyotl
as Narrator
A Friendly Handshake
as ผลงานการแสดง
Son of Gascogne
as Self
Rouch in Reverse
as himself
An Egg with No Shell
as ผลงานการแสดง
Jean Rouch: First Film 1947-1991
as Himself
Ciné-Portrait of Raymond Depardon
as himself
Ciné-mafia
as ผลงานการแสดง
Cinématon
as N°1256
Samba the Great
as Narrator
The Lovely Month of May
as Self (uncredited)
The Doll
as Officer (uncredited)
Chronicle of a Summer
as Self
The Mad Masters
as Narrator
Outlaw
as Self