ภาพยนตร์

Sir Douglas Rolls is a highly respected defence lawyer of many years experience. Now in rapidly failing health, he is advised to retreat from the courtroom and pursue more pleasurable activities. But it is just at this point in his life that his great lost love a woman his own strong sense of duty led him to give up twenty years ago, and whom he still loves deeply walks into his chambers to ask that he defend her adulterous husband, now to stand trial for murder. Reluctantly agreeing to take on the case, Sir Douglas soon finds there is more to the story than meets the eye.

Meet Peltzer Arbuckle, a bullied office employee, humiliated by his megalomaniac boss, teasing colleagues and cheating partner. Stuck in his mundane, nightmarish reality, once news about an embarrassing sexual accident circulates the workplace, Peltzer decides to put up with his misery no more, and conjures up his childhood imaginary friend Ronnie who manipulates him to exact gruesome revenge on his tormenting co-workers. As the body count rises, Peltzer must either run away from his past or take control of his future, battling between sanity and madness in a twisted tale of infidelity, revenge and snapped banjo strings.

A group of youths open an organic restaurant.

Every time the beautiful Regina rejects his advances, James pushes a red button and tries again, all the while unaware of the reality and consequences of his actions.

A remarkable behind-the-scenes look at the secretive world of female masking, where men transform themselves into dolls by squeezing into elaborate rubber second skins.

The second feature film to be edited using footage from Hatami's miniseries Hezar Dastan.

In 1961, philosopher Roland Barthes collaborated with filmmaker Hubert Aquin to produce a film, for Canadian television, intended to reveal the poetics of sport and spectatorship. The question 'what is sport' is answered by Barthes' eloquently scripted commentary. The recurring theme of purging violence from society into the spectacle of sport runs through the film.

Gotta dance!

Lost dreams is made out of those little remnants of images, from a single glance to a detailed moment, of those women from youth’s love and young dreams. They are woven together, like fragments of the mind, from the ends of the film to the corners of the frame.

Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.