ภาพยนตร์

Vitaliy refused to leave his small island in the Caspian Sea, despite his age and the harsh living conditions. He stayed and took care of it. In return, when the time came, he himself was not left alone. A gentle portrait of a kind man and his solitary habitat.

Can popular songs be appropriated to convey the experience of a gay-bashing in Moncton? Or the need for acceptance? In an ongoing series of autobiographical performance videos named Overmelodramas, the artist explores our relationship to violence and culture, and questions our polarized tastes for melodrama and documentary.

Starting with the feeling of being pushed backwards by recent reactionary backlashes, Moving Backwards explores resistance practices, combining post-modern choreography with guerrilla techniques and elements of queer underground culture. Different performers complicate the notion of backwards movement, prompting an uncanny experience that defies temporal and spatial logic.

Three Ethiopian women flee to the U.S. after surviving torture in their home country and then discover that their former interrogator is not only living in the U.S....he is working alongside one of the women at her new job in Atlanta.

This film is a response to a unique sound recording that captures a spoken message from a man named Mukalap, recorded around 1936 in South Africa. Mukalap speaks in the now-extinct Khoe language !Ora. He calls on an European audience to listen to his beautiful language just for once, and to him.

Booze, grief and guilt arouse repressed emotions in Eli. Momentarily she loses control, however ultimately she will have to let go of the past. Layered, penetrating portrait of family ties, guilt and the role of traditions.

A poetic meditation honouring the friendship and creative working relationships between Madelon Hooykaas, Li Yuan-chia (†1994) and Delia Derbyshire (†2001). Inspired by the Japanese concept TEN-CHI-JIN, meaning sky-earth-person, it draws from images, text and sound by the three artists and footage from the Hubble Telescope. Soundtrack by Caro C.

In a world where billions are spent on state-of-the-art weaponry, the deadliest weapon is still a so-called Improvised Explosive Device, which most people can make from materials found at their homes. An IED maker, a soldier and a philosopher describe their relationship with these objects, which can have almost any shape, form and content.

Performer Sharon Hayes delivers a speech plagiarising chats by former whistleblower Chelsea Manning and texts by punk poet Kathy Acker. Different temporalities and multiple – trans – identities collapse into a poetic, defiant ‘I’ resisting the normative attitudes towards gender and sexuality in the military complex.