ภาพยนตร์

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

Sophie is a little girl, naiver than nasty; sometimes abetted by her cousin Paul, she always gets into mischief, although the boy is much wiser than she is. Her best friends , Camille and Madeleine are so virtuous that Sophie's behavior doesn't compare favorably with theirs. In the castle where she lives with a rather severe mother (and a father very often gone to Paris), not a day goes by without she getting up to mischief.

Mader is trying to unify the land of Asato using giant robots. A legend says that a champion, the giant of Iron, will come to destroy all lesser armour. Mader's ambitious son Hai tries to kill him and his other children, Hai's own brother Jordy and little sister Chururu, wanting no question as to the succession.

Giovanni currently lives a dreary life of near non-stop work. At school, his peers ridicule him incessantly, and his employer at work is distant and cold. As his isolation from society becomes unbearable, he suddenly finds himself on a train heading far away from his miserable home. Accompanied by Campanella, an acquaintance from school, Giovanni embarks on a journey that will define the rest of his life.

Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.

A poor family in a society where no one cares. The dream of the head of the family to own a house has turned into pressure that causes the family members to suffer and struggle, leading them to question what the true meaning of the word “home” really is.

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

A young rabbit is rescued from disaster by the snowman he makes with his mother.

Baltimore, Maryland. Sylvia sees a girl being attacked from her lover Terry's bedroom window. The assailant flees and his victim is saved. But that same night another girl is found murdered.

The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)

Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of its vampire population. When the inhabitants reveal their secret, they seek Weber to write a bible for them.