ภาพยนตร์

A petty thief who robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, is finally caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother. However, he must first promise not to kill his wife while he is out of prison.

Truck driver Norman Foster has aspirations to become a prize fighter, but romantic interest June Clyde finds the idea deplorable. Henry Armetta and ZaSu Pitts supply the laughs.

Reared in a Turkish harem and threatened with marriage to a man she does not love, Carlotta escapes to London with an English adventurer. When he is killed, she is left destitute and attaches herself to Sir Marcus Ordeyne and begs his protection. He takes her home out of pity, and her charm and innocence cause him to fall in love with her. When he plans to marry her, Judith Mainwaring, who looks upon Carlotta as a rival, tells her he merely pities her and is marrying her to avoid a scandal. Carlotta runs away with Pasquale, a friend of Sir Marcus, though she loves her guardian. Later, Mrs. Mainwaring meets Carlotta in Paris and tells the girl the truth--that Sir Marcus is searching for her. Realizing his love for her, Carlotta is reunited with her benefactor.

Mort Bradley, New York political boss and underworld czar, controls not only the city's most popular nightclub but also much of the press; however, the managing editor of the Times is determined to expose him. Jay Grant, a San Francisco reporter, is assigned to investigate Mort, who believes Jay to be a country boy and is delighted to see him fall in love with Connie Colton, of whom Mort has tired. Dismayed to learn that Jay is a reporter, Mort plans to have his gunman, Francis, kill him, but both Mort and Francis are shot by rival gangsters. Jay, believing that Mort will recover, rushes to the newspaper with an exposé, but while writing it he learns of Mort's death and decides their friendship would not permit him to submit the story. He leaves his paper and embarks on a new life with Connie.

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim's dead-end present and Brandi's traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim's world dares to see through to the human core of a drug addict or clinically depressed clown.

One decade after THE FARM: ANGOLA, USA (Oscar nominated 1999; two-time Emmy winner 1999), we go back inside Louisiana's maximum security penitentiary, to catch up with our characters' lives. While the theme of THE FARM was "to err is human, to forgive divine", we now delve more deeply and find hope for "reconciliation and release". Angola is America's oldest and largest prison, with 5,000 inmates, most of whom have received life -, or death-, sentences for violent crimes, and will never leave Angola. THE FARM continues to provide extraordinary opportunities for learning through storytelling.

Oliver is in the 4th grade. He hasn't been paying attention in magic class and gets a big, fat five on a test. He has to have the work signed by his parents, but he is ashamed and doesn't want to cause his parents any grief. So he tries to get rid of the five with magic or at least turn it into a three. He manages to create talking guinea pigs and singing geese, but the five remains. The other children are already angry with him because he has no time to play with all the magic exercises. And so he decides to confess his mishap to his parents. His mother shows him how he can turn the five into a better grade - and that has to do with learning.

Josef Neumann has always been an outsider to society, and at the age of 30, he has already lived an adventurous life when he comes to the GDR. He was raised as a foundling by nuns, made an apprenticeship as a construction worker, went to the Foreign Legion, and was a seaman and a tramp. Now, he is working at the Warnow shipyard. Brigadier Bruno has a lot of sympathy and patience with the unconventional Josef, but Josef cannot fall in line with strict orders and again and again acts against the rules.

A family comedy about thirteen years old Bernd and the problems he faces after his family moving to Rostock.