ภาพยนตร์

A Down-syndrome boy left in an institute by his parents. Ginny works in the institute and wants to have Jonathan but has to fight the system and the parents.

A 78-year-old man covered his body with one beautiful tattoo. The retired Principal City Planner for Baltimore talks about trees, consciousness, letting go of life and his genitals.

Laddy and the Lady follows an out-of-control golden retriever, owned by a Lady, on a pheasant shoot. Scenes of the shoot are intercut with flashbacks to Laddy’s troubled past as a puppy, wrenched from his mother’s side. On the shoot, Laddy is subjected to forms of physical and verbal abuse associated with gun dog handling. His inability to behave and retrieve the dead birds results in relentless punishment. Laddy becomes a receiver – a golden receiver- of abuse.

The film documents the filmmakers' travels to Ethiopia to learn more about its rich history, which serves as the underpinnings for a contemporary cultural tapestry that interweaves the very old and the very new. It is a visual poem evoking a nuanced narrative portrait of this incredible place. Putting form to tension between history and contemporary life, the film relies on strong, timeless imagery, layered sound design and driving music to create an immersive experience.

Everyone who knows Dona Rosa would say that she would not kill a single fly, but to anyone who said otherwise. Dona Rosa had been having problems with her insurance company until one day she decided to end it. She just didn't expect that she would be the one to want this.

On a hunting trip in the forest, a mother and daughter come across a man who intends to commit suicide.

Cindy, a provincial girl studying in Jakarta, tries to live on her own though her mother is worried that she will be deceived by men. Panji, who has the same birthday as Cindy, pretends to love Cindy but deserts her whenever convenient. Panji is a mystery to Cindy. Cindy is tortured but also curious. She believes her love is not unrequited. She’s sure Panji feels the same as she does, but why in the world does he always crush Cindy’s hope. Every time Cindy tries to rise and forget him, his image keeps on haunting her. But the guy even dashes all Cindy’s hopes.

The title of Coombes’ new film refers to the name given to a particular Pictish symbol that has been interpreted as a representation of life and death; the here-and-now and the otherworld. The film presents two main sets: the National Galleries of Scotland in Edinburgh and a mountainous landscape somewhere in the Highlands. The first serves as the stage for the wanderings of a wolf, while the second hosts a caveman sculptor played by Coombes, along with a cavewoman who entombs his body in plaster. In both scenarios, things seem out of place: a savage creature in a museum and a self-conscious artist in the Iron Age. “Love is tender to impression at the surface, like a rock with deep moss upon it, but there is too much mass of love for it ever to be moved.” – Coombes’ sub-personality as the Pictish Man.

Reeling from a bad breakup, dealing with her overbearing mother and feelings of inadequacy from her younger sister's "perfect" life, a 29-year-old office worker finds herself torn between settling for a job she hates or chasing her dreams.

An elderly retired Modernist Architect called Clive, In his attic, Clive builds a model of a modernist Utopian City.

Without a trace, Susie Potter vanished from her home in the quiet town of Skidmore, Missouri. Ten years later two reporters uncover a harrowing new detail, which leads them on an obsessive hunt for the truth through the dark labyrinth of rural northwest Missouri.

This tape is an attempt to focus on a few moments of the fractured, subjective experience of public sexual encounters – an evening spent in a nightclub.