ภาพยนตร์

Manel is twenty years old, lives on Avenida Almirante Reis and idealizes love inspired by the relationship of his parents. Out of compassion, he hands over his double mattress to Nicolau and his girlfriend, who returned to Lisbon. Manel is alone with the mattress that he exchanged with his friends and on his way back home when he invades a film set, with a team entirely composed by girls. One of them, Rita, a beautiful production intern who helps with the mattress.

Sweden faces a mysterious attack while Alex tries to reunite with his youth love, Anna.

An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.

A story of aristocratic star-crossed love.

A prosperous young Indian man falls in love with his servant, a widow with the dream of becoming a fashion designer.

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

Léo, a 22-year-old homeless sex worker searches for genuine love on the streets of Strasbourg.

It's a sci-fi thriller about a man who discovers time travel.

A twelve-year-old existentialist kid runs away from home to meet his favorite philosopher, Albert Camus, not knowing he has been dead for fifty years. On his way he finds love and rejection for the first time in his life.

24 hours in the life of a mother, caught in the relentlessness of daily life, between her work, her home and her children.

Centers on an inveterate twenty-something slacker who stumbles into a career as a crime scene cleaner, only to find himself entangled with a murder mystery, a femme fatale and the loose ends of his own past.

With this new film, Felipe Monroy, a Colombian director living in Geneva, continues his work on the memory of his country. Back in Bogota after many years of absence, he starts revisiting his family’s past, tinged with a violence that echoes that of an entire nation. So, as the peace process then ongoing between FARC and government is perhaps about to turn the page after more than 50 years of war, the director starts his own effort at reconciliation, of which the film is both the instrument and the result. What can be done with poorly healed wounds? And what place can film take in this perilous exercise in forgiveness? It is simultaneously as son, brother, Colombian and filmmaker that Felipe Monroy tackles these questions and there lies the beauty of the film. It manages to look at the ghosts of the past straight in the eyes, adopting the contradictory sentiments that it provokes in its author and that it invites us to share.