ภาพยนตร์

Part I of the series "Glenn Gould Plays Bach" is devoted to Bach's "Art of Fugue." Gould's performance is followed by a lively repartee with Monsaingeon, in which the pianist provides dazzling insights illustrated by music examples. He explains, for example, why he plays some pieces extremely slowly, and bemoans the "musicological overkill" of scholars who insist that Bach's keyboard music should only be played on a harpsichord.

Documentary focusing on the making of "I Miss Sonia Henie"

This musical portrait of immigrant clarinetist Pericles Halkias and the Epirot-Greek community explores the aspirations and ambivalences of Greek-Americans. Moving between Queens, New York and northern Greece, it presents the traditional music of Epirus, showing how the music unites the Epirot community around the world. The film defines America not as a melting pot, but rather as a place to make a better living. The Epirots who earn their living here have their hearts planted firmly in the mountains of Greece.

For Madagascans who honour their ancestors, when the deceased are in the grave, their spirits are always alive and present, they maintain their individualities and their kinship connections. At Alasora, in the Central Highlands of Madagascar, Marie takes care of a royal tomb that was entrusted to her and welcomes visitors who have come to ask a favour from the ancestors.

This program uses Lenin’s own words to tell the story of the Bolshevik rise to power: the overthrow of the Tsar and of the Kerensky government, the efforts at world Communist revolutions and the readiness to compromise in order to save the revolution in the Soviet Union, the ascendancy of the struggle against socialism over the struggle against capitalism. Thus the program explains the political background of the establishment of the totalitarian Soviet state and of its economic, social, and cultural policies—the precise institutions and policies that would in our time cause the destruction of what Lenin created by the force of his single-minded personality, his political acuity, his powerful oratory...and the weaknesses of the divided democratic opposition.

Which efforts do we value in society and is it only in the world of sports that you have use of a good swing? Maybe it’s grandma “the rugbeater” that is the best athlete of all time.

An Iranian movie star has a trip to US for a film festival. She misses her plane in Las Vegas and needs to stay there for few hours.

This program shows how simple and logical it all was—one step at a time, from the bitter defeat of World War I and the humiliating Treaty of Versailles, the wrangling of the Weimar democracy, the economic crisis... Then the fear of Communism, the threat of violence, and the Nazi promise of law and order was so seductive that the mass of Germans were willing to overlook a little repression here and a little there, until it became a point of honor for Germans to witness brutality without flinching. Forced after the war to look at what they had done, the Germans would not or could not see.

Not surprisingly, Jørgen Leth became fascinated by Katherine Dunham (1909-2006), an African-American anthropologist, dancer and choreographer living in Haiti. Dunham was politically engaged and a powerful personality. Unfortunately, at the time it proved impossible to raise the money to produce a film portrait. This pilot has survived on a battered VHS cassette. Footage from a dance seminar in East St. Louis is complemented with interviews with Dunham and other black dancers. The producer Terry Carter is working on having the planned Dunham film accomplished.

Taking refuge in an abandoned cargo truck, a bickering couple (and their dog) find their lives on the line when tensions between them rise to dangerous levels during the zombie apocalypse.

Scotland’s Gypsies have lived outside mainstream society for more than 500 years. Although some of the “Travelling People” still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied British ballads that date back hundreds of years and have been handed down by memory through the generations.

One of the first film noir documentaries, made for British Channel Four, and including interviews with Paul Schrader, Robert Wise, John Dahl, Bryan Singer, Edward Dmytryk, Dennis Hopper, John Alton.